The travellers remained for some moments, as if spell-bound, in thoughtful silence; and they left this enchanting scene, and returned to their inn, without having uttered a word. This was an unusual mood with Mr. Simpson; he had caught it from his companion, rather than from the scene; and now, on the entrance of supper, he rejoiced to get rid of it, and to return to the more substantial pleasures of this world. Willoughton, when he had retired to his chamber, and had, as was his custom, looked out upon the night, now overcast with gloomy clouds, sat down to examine his manuscripts, instead of seeking repose. Bound up with that of the “Trew Chronique,” was another, entitled “A Trew Historie of two Mynstrells, that came by night to the Priory of Saint Margaret, and what they disclosed, and what one in the convent by his art, proved them to bee.” This “Trew Historie” was more difficult to be deciphered than the “Trew Chronique,” and Willoughton left it for the present, and took the “Boke of Sprites.” As he turned over the leaves, curious to see the thraldom of superstition to which the people of a remote age were liable, he often smiled at the artless absurdities he discovered, the clumsy inventions practised upon the fears of the ignorant by the venality of the monks. Yet he sometimes found his attention seized, in spite of himself, by the marvellous narratives before him; till, at length, he began to feel that he was alone, to recollect that it was past midnight, to observe that all around him was still as death; and gradually to think he might as well lay aside the “Boke of Sprites” till day-light should return and the world again sound busily around him. He did so, and again took the “Trew Chronique,” desirous of ending his long day, with some new traits of an age so distant from his own and of the style, in which they might be shadowed forth. The mere spelling did not render this so difficult, as the character in which it was written, with its abundance of abbreviations and contractions. The following is a modernized copy, which he afterwards wrote out for the amusement of a friend, who was fond of the subjects it touched upon, but had not industry enough to work his way through the obstructions of the original. In this copy, while Willoughton endeavoured to preserve somewhat of the air of the old style, without its dryness, he was often compelled to regret, that much of the effect of the story was lost, with the simplicity, brevity and quaintness of the ancient manner. However, he often retained the old words, where they did not seem to form too glaring a contrast with the modern style, and, now and then, somewhat of the quaintness of the original, the title of which ran thus:— =A Boke,=