good-humoured patience, and that British sailor characteristic of making
the best of every occurrence, and deeming any port a good one in a
storm! Complaint is of no use; if you tell the landlord that his wine is
more sour than his vinegar, he will gravely reply, “_Señor_, that cannot
be, for both came out of the same cask.”
[Sidenote: VENTA GARLIC.]
The portion of the ground-floor which is divided by the public entrance
from the stables, is dedicated to the kitchen and accommodation of the
travellers. The kitchen consists of a huge open range, generally on the
floor, the _ollas_ pots and culinary vessels being placed against the
fire arranged in circles, as described by Martial, “multâ villica quem
coronat _ollâ_,” who, as a good Spaniard would do to this day, after
thirty-five years’ absence at Rome, writes, after his return to Spain,
to his friend Juvenal a full account of the real comforts that he once
more enjoys in his best-beloved patria, and which remind us of the
domestic details in the opening chapter of Don Quixote. These rows of
pipkins are kept up by round stones called “_sesos_,” _brains_; above is
a high, wide chimney, which is armed with iron-work for suspending pots
of a large size; sometimes there are a few stoves of masonry, but more
frequently they are only the portable ones of the East. Around the
blackened walls are arranged pots and pipkins, gridirons and
frying-pans, which hang in rows, like tadpoles of all sizes, to
accommodate large or small parties, and the more the better; it is a
good sign, “_en casa llena, pronto se guisa cena_.” Supper is then
sooner ready.
The vicinity of the kitchen fire being the warmest spot, and the nearest
to the flesh-pot, is the _querencia_, the favourite “resort” of the
muleteers and travelling bagsmen, especially when cold, wet, and hungry.
The first come are the best served, says the proverb, in the matters of
soup and love. The earliest arrivals take the cosiest corner seats near
the fire, and secure the promptest non-attendance; for the better class
of guests there is sometimes a “private apartment,” or the boudoir of
the _ventera_, which is made over to those who bring courtesy in their
mouths, and seem to have cash in their pockets; but these out-of-the way
curiosities of comfort do not always suit either author or artist, and
the social kitchen is preferable to solitary state. When a stranger
enters into it, if he salutes the company, “My lords and knights, do not
let your graces molest yourselves,” or courteously indicates his desire
to treat them with respect, they will assuredly more than return the
compliment, and as good breeding is instinctive in the Spaniard, will
rise and insist on his taking the best and highest seat. Greater,
indeed, is their reward and satisfaction, if they discover that the
invited one can talk to them in their own lingo, and understands their
feelings by circulating _his_ cigars and wine _bota_ among them.
Public-domain text, read in full here on John Shaqi.
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