and their landlords, and another day of toil begins. Our faithful and
trustworthy squire seldom failed for a couple of hours after leaving the
_venta_ to pour forth an eloquent stream of oaths, invectives, and
lamentations at the dearness of inns, the rascality of their keepers in
general, and of the host of the preceding night in particular, although
probably a couple of dollars had cleared the account for a couple of men
and animals, and he himself had divided the extra-extortion with the
honest _ventero_.
These Spanish venta scenes vary every day and night, as a new set of
actors make their first and last appearance before the traveller: of one
thing there can be no mistake, he has got out of England, and the
present year of our Lord. Their undeniable smack of antiquity gives them
a relish, a _borracha_, which is unknown in Great Britain, where all is
fused and modernized down to last Saturday night; here alone can you see
and study those manners and events which must have occurred on the same
sites when Hannibal and Scipio were last there, as it would be very easy
to work out from the classical authors. We would just suggest a
comparison between the arrangement of the Spanish country _venta_ with
that of the Roman inn now uncovered at the entrance of Pompeii, and its
exact counterpart, the modern “_osteria_,” in the same district of
Naples. In the Museo Borbonico will be found types of most of the
utensils now used in Spain, while the Oriental and most ancient style of
cuisine is equally easy to be identified with the notices left us in the
cookery books of antiquity. The same may be said of the tambourines,
castanets, songs, and dances,--in a word, of everything; and, indeed,
when all are hushed in sleep, and stretched like corpses amid their
beasts, the Valencians especially, in their sandals and kilts, in their
mantas, and in and on their rush-baskets and mattings, we feel that
Strabo must have beheld the old Iberians exactly in the same costume and
position, when he told us what we see now to be true, το πλεον εν σαγοις, εν ὁις
περ και στιβαδοκοιτουσι.
[Sidenote: THE VENTORILLO.]
Public-domain text, read in full here on John Shaqi.
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