The poor in no countries have much predilection for the hospital; and in
Spain, in addition to pride, which everywhere keeps many silly sick out
of admirably-conducted asylums, here a well-grounded fear deters the
patient, who prefers to die a _natural_ death. Again, from their being
poor, the necessity of their living at all, is less evident to the
managers than to the sufferers; as, say the Malthusians, there is no
place vacant at Nature’s _table d’hôte_ to those who cannot pay, so bed
and board are not pressed on Spanish applicants, by the hospital
committee; an admitted patient’s death saves trouble and expense,
neither of which are popular in a land where cash is scarce, and a love
for hard work not prevalent, where a sound man is worth little, and a
sick one still less; nor is every doctor always popular for working
cures, as could be exemplified in sundry cases of Spanish wives and
heirs in general; therefore in the hospitals of the Peninsula, if only
half die, it is thought great luck: the dead, moreover, tell no tales,
and the living sing praises for their miraculous escape. _El medico
lleva la plata, pero Dios es que sana!_--God works the cure, the doctor
sacks the fee! Meanwhile the sextons are busy and merry, as those in
Hamlet, and as indeed all gravediggers are, when they have a job on hand
that will be paid for; deeply do they dig into the silent earth, that
bourn from whence no travellers return to blab. They sing and jest,
while dust is heaped on dust, and the _corpus delicti_ covered, and with
it the blunders of the _medico_; thus all parties, the deceased
excepted, are well satisfied; the man with the lancet is content that
disagreeable evidence should be put out of sight, the fellow-labourer
with the spade is thankful that constant means of living should be
afforded to him; and when the funeral is over, both carry out the
proverbial practice of Peninsular survivors: _Los muertos en la huesa, y
los vivos á la mesa_, the dead in their grave, the quick to their
dinner.
[Sidenote: MEDICAL ABUSES.]
Public-domain text, read in full here on John Shaqi.
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