To return to the dying man: if he has the bull, the host is brought to him with great pomp; the procession is attended by crowds who bear crosses, lighted candles, bells and incense; and as the chamber is thrown open to the public, the ceremony is accompanied by multitudes of idlers. The spectacle is always imposing, as it must be, considering that the incarnate Deity is believed to be present. It is particularly striking on Easter Sunday, when the host is taken to all the sick who have been unable to communicate in the parish church. Then the priest walks either under a gorgeous canopy, or is mounted in the finest carriage in the town; and while all as he passes kneel to the wafer which he bears, he chuckles internally at his own reality of power over his prostrate subjects; the line of streets are gaily decorated as for the triumphal procession of a king: the windows are hung with velvets and tapestries, and the balconies filled with the fair sex arrayed in their best, who shower sweet flowers down on the procession just at the moment of its passage, and sweeter smiles during all the rest of the morning on their lovers below, whose more than divided adoration is engrossed by female divinities. [Sidenote: BURIAL DRESSES.] To die without confession and communication is to a Spaniard the most poignant of calamities, as he cannot be saved while he is taught that there is in these acts a preserving virtue of their own, independent of any exertions on his part. The host is given when human hopes are at an end, and the heat, noise, confusion, and excitement, seldom fail to kill the already exhausted patient. Then when life’s idle business at a gasp is o’er, the body is laid out in a _capilla ardiente_, or an apartment prepared as a chapel, by taking out the furniture; where the family is rich, a room on the ground floor is selected, in which a regular altar is dressed up, and rows of large candles lighted placed around the body; the public is then allowed to enter, even in the case of the sovereign: thus we beheld Ferdinand VII. laid out dead and full dressed with his hat on his head, and his stick in his hand. This public exhibition is a sort of coroner’s inquest; formerly, as we have often seen, the body was clad in a monk’s dress, with the feet naked and the hands clasped over the breast; the sepulchral shadow then thrown over the dead and placid features by the cowl, seldom failed to raise a solemn undefinable feeling in the hearts of spectators, speaking, as it did, a language to the living which could not be misunderstood.