As for his house and home none can fail finding it out; no cicerone is
wanted, for the outside is distinguished from afar by the emblems of his
time-honoured profession: first and foremost hangs a bright glittering
metal Mambrino-helmet basin, with a neat semicircular opening cut out of
the rim, into which the throat of the patient is let during the
operation of lathering, which is always done with the hand and most
copiously; near it are suspended huge grinders, which in an English
museum would pass for the teeth of elephants, and for those of Saint
Christopher in Spanish churches, where comparative anatomy is scouted as
heretical in the matter of relics; strange to say, and no Spanish
theologian could ever satisfy us why, this saint is not the “especial
advocate” against the toothache; here Santa Apollonia is the soothing
patroness. Near these molars are displayed awful phlebotomical symbols,
and rude representations of bloodlettings; for in Spain, in church and
out, painting does the work of printing to the many who can see, but
cannot read. The barber’s pole, with its painted bandage riband, the
support by which the arm was kept extended, is wanting to the threshold
of the Figaros of Spain, very much because bleeding is generally
performed in the foot, in order that the equilibrium of the whole
circulation may be maintained. The painting usually presents a female
foot, which being an object, and not unreasonably, of great devotion in
Spain, is selected by the artist; tradition also influences the choice,
for the dark sex were wont formerly to be bled regularly as calves are
still, to obtain whiteness of flesh and fairness of complexion: as it
was usual on each occasion that the lover should restore the exhausted
patient by a present, the purses of gallants kept pace with the venous
depletion of their mistresses. The _Sangrados_ of Spain, professional as
well as unprofessional, have long been addicted to the shedding of
innocent blood; indeed, no people in the world are more curious about
the pedigree purity of their own blood, nor less particular about
pouring it out like water, whether from their own veins or those of
others. One word on this vital fluid with which unhappy Spain is too
often watered during her intestine disorders.
[Sidenote: HERALDIC BLOOD.]
If the Iberian anatomists did not discover its circulation, the heralds
have “tricked” out its blazoning, as we do our admirals, with all the
nicety of armorial coloring. _Blue blood, Sangre azul_, is the ichor of
demigods which flows in the arteries of the grandees and highest
nobility, each of whose pride is to be
“A true Hidalgo, free from every stain
Of Moor or Jewish blood,”
[Sidenote: FIGARO’S SHOP.]
Public-domain text, read in full here on John Shaqi.
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