Every _matador_ must be quick and decided. He must not let the bull run
at the flag above two or three times; the moral tension of the
multitudes is too strained to endure a longer suspense; they vent their
impatience in jeers, noises, and endeavour by every possible manner to
irritate him, and make him lose his temper, and perhaps life. Under such
circumstances, Manuel Romero, who had murdered a man, was always saluted
with cries of “_A la Plaza de Cebada_--to Tyburn.” The populace
absolutely loathe those who show the smallest white feather, or do not
brave death cheerfully.
[Sidenote: THE MEDIA LUNA.]
There are many ways of killing the bull: the principal is when the
matador receives him on his sword when charging; then the weapon, which
is held still and never thrust forward, enters just between the left
shoulder and the blade-bone; a firm hand, eye, and nerve, are essential,
since in nothing is the real fancy so fastidious as in the exact nicety
of the placing this death-wound. The bull very often is not killed at
the first effort; if not true, the sword strikes a bone, and then it is
ejected high in air by the rising neck. When the blow is true, death is
instantaneous, and the bull, vomiting forth blood, drops at the feet of
his conqueror. It is indeed the triumph of knowledge over brute force;
all that was fire, fury, passion, and life, falls in an instant, still
for ever. The gay team of mules now enter, glittering with flags, and
tinkling with bells; the dead bull is carried off at a rapid gallop,
which always delights the populace. The _matador_ then wipes the hot
blood from his sword, and bows to the spectators with admirable sang
froid, who fling their hats into the arena, a compliment which he
returns by throwing them back again (they are generally “shocking bad”
ones); when Spain was rich, a golden, or at least a silver shower was
rained down--_ces beaux jours là sont passés_; thanks to her kind
neighbour. The poverty-stricken Spaniard, however, gives all he can, and
lets the bullfighter dream the rest. As hats in Spain represent
grandeeship, so these beavers, part and parcel of themselves, are given
as symbols of their generous hearts and souls; and none but a huckster
would go into minute details of value or condition.
Public-domain text, read in full here on John Shaqi.
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