Gaut Gurley; Or, the Trappers of Umbagog: A Tale of Border LifeThompson, Daniel P. (Daniel Pierce)
General
Gaut Gurley; Or, the Trappers of Umbagog: A Tale of Border Life
Thompson, Daniel P. (Daniel Pierce)
Frontier and pioneer life -- Fiction; Maine -- Fiction; Trappers -- Fiction
"There!" sternly cried the victorious leader of the hazardous assault, as
he rose to his feet, after he had seen the heavy irons securely locked on
the wrists and ankles of the silent and sullen prisoner,--"there! drag him
out, feet foremost, into the open light of day, where he and his dark deeds
have all now got to come, to meet the vengeance of an outraged community!"
It was done, and with no gentle hand; when a long, wild shout of exultation
fiercely broke from the closely-encircling throng, thrilling the trembling
forest around with the din, and rolling away to the farthest shores of the
lake, to proclaim that the first murderer of the settlement--the
black-hearted Gaut Gurley--was now a prisoner, and in the uncompromising
hands of public justice.
The animated spectacle which now ensued, of trundling, pushing, and
tumbling the chafed and growling prisoner down to the shore, amid the
unrestrained demonstrations of the exulting multitude; the noisy and
bustling embarkation, on the lake; the ostentatious display of mimic
banners, formed by raising on tall poles, handkerchiefs, hats, coats, and
whatever would make a show in the distance, as the long line of canoes,
with the closely guarded prisoner in the centre, filed off in gorgeous
array, through the glitter of the sun-lit lake, on their way to the great
outlet; the pause and concentration there; the rapid descent down the river
to the village, where a board of magistrates were waiting to sit on the
case of the expected prisoner; and, finally, the loudly heralding
_kuk-kuk-ke-o-hos_ of the overflowing trapper, to announce, over a two-mile
reach of the stream, the triumphant approach,--this animated and here
extraordinary spectacle, we must leave to the delineation of the reader's
imagination. Our attention is more strongly demanded in a different
direction, to bring up other important incidents of our story, before
proceeding any farther with the actors who have figured in this part of the
narrative, or taking note of the examination to which they were now
hurrying the prisoner.
CHAPTER XX.
"By thine infinite of woe,
All we know not, all we know;
If there be what dieth not,
Thine, affection, is its lot."
Public-domain text, read in full here on John Shaqi.
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