Gaut Gurley; Or, the Trappers of Umbagog: A Tale of Border LifeThompson, Daniel P. (Daniel Pierce)
General
Gaut Gurley; Or, the Trappers of Umbagog: A Tale of Border Life
Thompson, Daniel P. (Daniel Pierce)
Frontier and pioneer life -- Fiction; Maine -- Fiction; Trappers -- Fiction
"No, 'tis nothing. You see, I have brought round for our use my best birch
bark canoe. I have rowed her fifty miles a day round the lakes many a time.
We shall bound over the lake in almost no time, and the rapids, which are
the only drawback, can soon be surmounted, by oar or setting-pole, or, what
may be cheapest, carrying the canoe round those most difficult of passage.
The boat does not weigh an hundred. I could travel with it a mile on my
head, as fast as you would wish to walk without a pound of luggage. So, in
with you, and I'll show you how it is done."
Accordingly they launched forth in their primitive craft, which, as before
intimated, was the once noted birch bark canoe built by the hunter
agreeably to the exact rules of Indian art. Few, who have never seen and
observed the process of constructing this canoe, which, for thousands of
years before the advent of the white man, was the only craft used by the
aborigines in navigating the interior waters, have any idea how, from such
seemingly fragile materials, and with no other tools than a hatchet, knife,
and perhaps a bone needle, the Indian can construct a canoe so extremely
light and at the same time so tough and durable. In building his canoe,
which is one of the greatest efforts of his mechanical skill, the Indian
goes to work systematically. He first peels his bark from a middle-sized
birch tree, and cuts it in strips five or six inches wide, and twelve,
fifteen, or twenty feet long, according to the length and size of the
designed canoe. He then dries them thoroughly in the sun, after which he
nicely scrapes and smooths off the outside. He next proceeds to soak these
strips, which are thus made to go through a sort of tanning process, to
render them tough and pliable, as well as to obviate their liability to
crack by exposure to the sun. After the materials are thus prepared, he
smooths off a level piece of ground, and drives around the outside a line
of strong stakes, so that the space within shall describe the exact form of
the boat in contemplation. Inside of these stakes he places and braces up
the wet and pliable pieces of bark, beginning at the bottom and building up
and bending into form the sides and ends, till the structure has attained
the required height. In this situation it is left till it is again
thoroughly dried and all the pieces become fixed in shape. A light inside
framework is then constructed, resembling the skeleton of a fish, and of
dimensions to fit the canoe already put in form in the manner we have
described. The pieces of cured material are then numbered and taken down;
when the architect, beginning at the bottom, lapping and sewing together
the different pieces, proceeds patiently in his work, till the sides are
built, the ends closed nicely up, and each piece lashed firmly to the
framework, which, though of surprising lightness, is made to serve as keel,
knees, and ribs of the boat. Every seam and crevice is then filled with
melted pitch.
Public-domain text, read in full here on John Shaqi.
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