Gem-Stones and Their Distinctive CharactersSmith, George Frederick Herbert
Science
Gem-Stones and Their Distinctive Characters
Smith, George Frederick Herbert
Precious stones
colour are known as smoky-quartz. Rose-quartz, which is rose-red or
pink in colour and hazy in texture, is comparatively rare; strange
to say, it has never been found in distinct crystals. The tint,
which may be due to titanium, is fugitive, and fades on exposure to
strong sunlight. In milky quartz, as the name suggests, the interior
is so hazy as to impart to the stone a milky appearance. It has
frequently happened that quartz has crystallized after the formation
of other minerals, with the result that the latter are found inside
it. Prase, or mother-of-emerald, which at one time was supposed to
be the mother-rock of emerald, is a quartz coloured leek-green by
actinolite fibres in the interior. Specimens containing hair-like
fibres of rutile—the so-called _flêches d’amour_—are common in mineral
collections, and are sometimes to be seen worked. When enclosing a
massive, light-coloured, fibrous mineral, the stones have a chatoyant
effect, and display, when suitably cut, a fine cat’s-eye effect; in
tiger’s-eye the enclosed mineral is crocidolite, an asbestos, the
original blue hue of which has been changed to a fine golden-brown
by oxidation. Quartz which contains scales of mica, hematite, or
other flaky mineral has a vivid spangled appearance, and is known
as aventurine; it has occasionally been employed for brooches or
similar articles of jewellery. Rainbow-quartz, or iris, is a quartz
which contains cracks, the chromatic effect being the result of the
interference of light reflected from them; it has been artificially
produced by heating the stone and suddenly cooling it.
The name of the species is an old German mining term of unknown
meaning which has been in general use in all languages since the
sixteenth century. Amethyst is derived from ἀμέθυστος, not drunken,
possibly from a foolish notion that the wearer was exempt from the
usual consequences of unrestrained libations. Pliny suggests as an
alternative explanation that its colour approximates to, but does not
quite reach, that of wine. Aventurine, from _aventura_, an accident,
was first applied to glass spangled with copper, the effect being
said to have been accidentally discovered owing to a number of copper
filings falling into a pot of molten glass in a Venetian factory.
[Illustration: FIG. 79.—Quartz Crystal.]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account