If we consider the action of the air upon the skin of the dead body, we see that it produces two different effects, according to the state of the body. If the air penetrates the skin on all sides, it dries it, and it then acquires a sort of transparency, like the fibrous organs, unless a large quantity of blood had been accumulated in it at the moment of death, in which case it becomes black or of a deep brown. Thus dried, 1st, it is firm and resisting, but can be bent in various directions without breaking, as is the case with many textures thus dried, as the cartilaginous, the muscular, &c. &c. 2d. It is much less easily altered than most of the other textures in a dried state. 3d. It absorbs moisture less easily than them, though however when immersed for a long time in water, it finally resumes nearly its original colour and loses its transparency. 4th. It does not exhale a very disagreeable odour, like many of the other textures. Hence why the skins of animals, merely dried, are used in many of the arts; why some barbarous people make use of them for clothing, &c. The aponeuroses, and the mucous, serous and fibrous membranes could not be thus employed. It is to this also that must be attributed the little alteration that takes place in the exterior of mummies, which would never last for ages, if clothed with a fleshy or serous covering. When the skin is left upon the dead body, or exposed to a moist air, it becomes putrid instead of drying. Then it takes at first a dull colour, then a green and finally a black one. It exhales a very great fetor, swells and thickens, because the gases which are disengaged there fill the cellular texture in its little spaces. A mucous covering is spread upon its external surface, which is deprived of its epidermis. Nothing similar to this covering is seen on the internal surface. Finally, when all the fluids it contains are evaporated, there remains a black residuum, very different from that which is left after combustion. _Action of Water._ This action during life, is relative either to the substances that are deposited on the surface of the skin, or to the cutaneous texture itself.