As we perambulate London at our loitering leisure, and stare about us in the desultory, wandering manner of those who have nothing to do, now admiring an edifice, now peeping into a print-shop, we are often brought up, “all standing,” in one of the great thoroughfares, by the magnificent proportions, the architectural splendour, of a building which our peaceful calling debars us from entering. Nevertheless we may gaze and gape at the stately outside; we may admire the lofty windows, with their florid ornaments, and marvel for what purpose are intended the upper casements, which seem to us like the bull’s-eyes let into the deck of a three-decker, magnified to a gigantic uselessness; we may stare till the nape of our neck warns us to desist, at the classic ornaments raised in high relief around the roof, where strange mythological devices, unknown to Lemprière, mystify alike the antiquarian and the naturalist,--centaurs, terminating in salmon-trout, career around the cornices, more grotesque than the mermaid, more inexplicable than the sphinx. In vain we cudgel our brains to ask of what faith, what principle these monsters may be the symbols. Can they represent the _insignia_ of that corps so strangely omitted in the _Army List_--known to a grateful country as the horse marines? Are they a glorious emanation of modern art? or are they, as the Irish gentleman suggested of our martello towers, only intended to puzzle posterity? Splendid, however, as may be the outward magnificence of this military palace, it is nothing compared with the luxury that reigns within, and the heroes of both services enjoy a delightful contrast to the hardships of war, in the spacious saloons and exquisite repasts provided for its members by the “Peace and Plenty Club.” “Waiter--two large cigars and another sherry-cobbler,” lisps a voice which, although somewhat thicker than usual, we have no difficulty in recognising as the property of Captain Lacquers. That officer has dined “severely,” as he calls it, and is slightly inebriated. He is reclining on three chairs, in a large, lofty apartment, devoid of furniture, and surrounded by ottomans. From its airy situation, general appearance, and pervading odour, we have no difficulty in identifying it as the smoking-room of the establishment. At our friend’s elbow stands a small table, with empty glasses, and opposite him, with his heels above the level of his head, and a cigar of “_sesquipedalian_” length in his mouth, sits Sir Ascot Uppercrust. Gaston D’Orville is by his side, veiling his handsome face in clouds of smoke, and they are all three talking about the heiress. Yes; these are the Major’s _rounds_, these are the hardships innocent Blanche sighed to think of. It is lucky that ladies can neither hear nor see us in our masculine retreats. “So she refused you, Uppy; refused you point blank, did she? ’Gad, I like her for it,” said Lacquers, the romance of whose disposition was much enhanced by his potations.