[Illustration: FIG. 175.--The hollow wooden box reenforces the sound.] 258. Borrowed Sound. Picture frames and ornaments sometimes buzz and give forth faint murmurs when a piano or organ is played. The waves sent out by a sounding body fall upon all surrounding objects and by their repeated action tend to throw these bodies into vibration. If the period of any one of the objects corresponds with the period of the sounding body, the gentle but frequent impulses affect the object, which responds by emitting a sound. If, however, the periods do not correspond, the action of the sound waves is not sufficiently powerful to throw the object into vibration, and no sound is heard. Bodies which respond in this way are said to be sympathetic and the response produced is called _resonance_. Seashells when held to the ear seem to contain the roar of the sea; this is because the air within the shell is set into sympathetic vibrations by some external tone. If the seashell were held to the ear in an absolutely quiet room, no sound would be heard, because there would be no external forces to set into vibration the air within the shell. Tuning forks do not produce strong tones unless mounted on hollow wooden boxes (Fig. 175), whose size and shape are so adjusted that resonance occurs and strengthens the sound. When a human being talks or sings, the air within the mouth cavity is thrown into sympathetic vibration and strengthens the otherwise feeble tone of the speaker. 259. Echo. If one shouts in a forest, the sound is sometimes heard a second time a second or two later. This is because sound is reflected when it strikes a large obstructing surface. If the sound waves resulting from the shout meet a cliff or a mountain, they are reflected back, and on reaching the ear produce a later sensation of sound. By observation it has been found that the ear cannot distinguish sounds which are less than one tenth of a second apart; that is, if two sounds follow each other at an interval less than one tenth of a second, the ear recognizes not two sounds, but one. This explains why a speaker can be heard better indoors than in the open air. In the average building, the walls are so close that the reflected waves have but a short distance to travel, and hence reach the ear at practically the same time as those which come directly from the speaker. In the open, there are no reflecting walls or surfaces, and the original sound has no reenforcement from reflection. If the reflected waves reach the ear too late to blend with the original sound, that is, come later than one tenth of a second after the first impression, an echo is heard. What we call the rolling of thunder is really the reflection and re-reflection of the original thunder from cloud and cliff. Some halls are so large that the reflected sounds cause a confusion of echoes, but this difficulty can be lessened by hanging draperies, which break the reflection.