Genius in Sunshine and ShadowBallou, Maturin M. (Maturin Murray)
General
Genius in Sunshine and Shadow
Ballou, Maturin M. (Maturin Murray)
Literature -- Anecdotes
In realizing that genius is apt among its other foibles to be over
self-conscious, we should be careful not to confound conceit with
vanity, to which it is so nearly allied. The latter makes one sensitive
to the opinions of others, while the former renders us self-satisfied.
Few have possessed either genius or personal beauty without being
conscious of it; though Hazlitt declares that no great man ever thought
himself great,--an assertion which the reader will hardly be prepared to
indorse. A famous American philosopher was persuaded that vanity was
often the source of good to the possessor, and that among other comforts
of life, one might consistently thank God for his vanity. Still, when
evinced in social intercourse nothing is more derogatory to dignity; one
becomes not only his own, but everybody's fool. "Vanity is so anchored
in the heart of man," says Pascal, "that a soldier, sutler, cook, and
street porter vapor and wish to have their admirers; and philosophers
even wish the same."
Concerning localities rendered of special interest by association, Leigh
Hunt said: "I can no more pass through Westminster without thinking of
Milton, or the Borough without thinking of Chaucer and Shakespeare, or
Gray's Inn without calling Bacon to mind, or Bloomsbury Square without
Steele and Akenside, than I can prefer bricks and mortar to wit and
poetry, or not see a beauty upon it beyond architecture, in the
splendor of the recollection. I once had duties to perform which kept me
out late at night, and severely taxed my health and spirits. My path lay
through a neighborhood in which Dryden lived; and though nothing could
be more commonplace, and I used to be tired to the heart and soul of me,
I never hesitated to go a little out of the way, purely that I might
pass through Gold Street, to give myself the shadow of a pleasant
thought." Gibbon was twenty-three years in preparing the material for
and in writing his "Decline and Fall of the Roman Empire;" that is to
say, he began it in 1764, and did not finish it until 1787. He says as
he "sat musing amidst the ruins of the capital, while the barefooted
friars were singing vespers in the temple of Jupiter, the idea of
writing the decline and fall of the city first occurred to his mind."
The writer of these pages has visited the garden and summer-house at
Lausanne, overlooking Lake Leman, where Gibbon completed his work, and
where he laid down his pen in triumph almost exactly a century since.
Public-domain text, read in full here on John Shaqi.
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