[Footnote 154: Jerrold was but twenty-five years of age when he wrote this the first of his dramas. It was a great success from the start, and had a run of three hundred consecutive nights, though the author received but seventy pounds for the copyright.] [Footnote 155: Sydney Smith, when talking of the bad effect of late hours, said of a distinguished diner-out, that it should be written on his tomb, "He dined late,"--to which Luttrell added, "And died early."] [Footnote 156: Some one told Father Taylor, the well-known seamen's clergyman of Boston, that a certain individual who was under discussion was a very good citizen, except for an amiable weakness. "But I have found," said the practical old preacher, "that weakness of character is nearly the only defect which cannot be remedied."] [Footnote 157: The prejudice excited in Queen Anne's mind by the Archbishop of York, on account of the alleged infidelity in the "Tale of a Tub," is supposed to be the reason why Swift's aspirations were not granted by his royal mistress. His final unsatisfactory appointment as Dean of St. Patrick was awarded to him instead of the coveted bishopric.] [Footnote 158: The author remembers him well on the occasion of his first appearance in this country as a lecturer and public reader. His style at that time (which was afterwards changed) was that of a modern dude, wearing flash waistcoats, double watch-chains, gold eye-glasses and rings.] [Footnote 159: No father or mother thinks their own children ugly; and this self-deceit is yet stronger with respect to the offspring of the mind.--_Cervantes._] [Footnote 160: No one can anticipate the suffrages of posterity. Every man in judging of himself is his own contemporary. He may feel the gale of popularity, but he cannot tell how long it will last. His opinion of himself wants distance, wants time, wants numbers, to set off and confirm it. He must be indifferent to his own merits before he can feel a confidence in them. Besides, every one must be sensible of a thousand weaknesses and deficiencies in himself, whereas genius only leaves behind it the monuments of its strength.--_Hazlitt._] [Footnote 161: The "Song of the Shirt" first appeared in "Punch," in 1844; and was Hood's favorite piece of all his published compositions, though the "Bridge of Sighs" was perhaps more popular with the public. Hood died in 1845, at the age of forty-seven.] [Footnote 162: His sister, Mlle. de Scudéri, is better known to us in literature than himself. She was a distinguished member of the society which met at the Hôtel de Rambouillet, and which has been made so famous by Molière in his "Précieuses ridicules." She survived her brother some years.]