American drama -- 20th century; Experimental fiction, American; Prose poems
See Thomas bring the grain, see the grain have the color that grain has
when grain is growing in any winter which is any summer. See Thomas
bring the rain and see that the thunder is not the thunder that any rain
raining longer is having thunder when having thunder. See Thomas bring
what Thomas is bringing and the load is not lighter as Thomas turns the
shadow darker. Thomas has no spring of water, Thomas has the color
brighter. Thomas is the time to stay. Thomas hears what any source can
supply. Thomas not darkly not lightly, Thomas does the chamber over.
The ruling of the pencil and the farm, the ruling of a shadow and the
grain, the ruling of the woman who gave away what was not there to stay,
any ruling is the same and the line is there and has that prospect.
So closely was it passed that there was not more space than there was
and so sweet are the pleasures of the rest that a quarrel with a cousin
has the same result.
Pass it on to the bottle, houses in the corner have shutters, a little
tree is not lonesome because the leaves are not bright.
The presence of the necessary question does not mean that a kiss is to
be given. The sweetening of chicken is not all that is remembered when
the form was such that buttons were plentiful and the surroundings were
there. That was not any way to say that the change was the same.
All the long expression that means a longer state of natural example is
not so pardonable as everything that is in some instant. The back and
the waist and the presence of not any splinter, the sundown and the
kitchen and a table with a window and a napkin ring in winter, all the
presence of the most, all the longing of that summer, a pleasure and a
sign and there is no chance to refuse any chair.
To the rug that has that hole and that color, to the wood that has that
color and that white, to the table that has that carpet and that
erection, to the bed that has that shade and that carving, to the
lantern that has that light and that cover, to the shapes that have that
decoration and that derivation, to the floor that has that surface and
that meaning, to that light that has that look and that garden, to that
wall that has that line and that concentration, to the best that has
that choice and that color to all and there is something sounding, to
that and there is no witness signing, to more and the explanation is not
a mistake, to less and the time is when there is that to pass, to all
the length and there is more of that then, there is not any refusal to
resist a smell.
This is not the compliance of the teeth and there is no more force than
that out loud. A plain paper is often used.
Public-domain text, read in full here on John Shaqi.
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