"She is standing before the portals of a large house in one of the narrow Moorish streets of the capital of Andalusia; through the grated iron door, she looks in upon the court; it is paved with small marble slabs of almost snowy whiteness; in the middle is a fountain distilling limpid water, and all around there is a profusion of macetas, in which flowering plants and aromatic shrubs are growing, and at each corner there is an orange tree, and the perfume of the azahar may be distinguished; you hear the melody of birds from a small aviary beneath the piazza which surrounds the court, which is surrounded by a toldo or linen awning, for it is the commencement of May, and the glorious sun of Andalusia is burning with a splendour too intense for its rays to be borne with impunity. It is a fairy scene such as nowhere meets the eye but at Seville, or perhaps at Fez and Shiraz, in the palaces of the Sultan and the Shah. The Gypsy looks through the iron-grated door, and beholds, seated near the fountain, a richly dressed dame and two lovely delicate maidens; they are busied at their morning's occupation, intertwining with their sharp needles the gold and silk on the tambour; several female attendants are seated behind. The Gypsy pulls the bell, when is heard the soft cry of 'Quien es'; the door, unlocked by means of a string, recedes upon its hinges, when in walks the Gitana, the witch-wife of Multan, with a look such as the tiger-cat casts when she stealeth from her jungle into the plain.