Borrow did not invent, says Knapp, which is absurd. Some of his reappearances, recognitions and coincidences must be inventions. The postillion's tale must be largely invention. But it is not fair or necessary to retort as Hindes Groome did: "Is the Man in Black then also a reality, and the Reverend Mr. Platitude? In other words, did Tractarianism exist in 1825, eight years before it was engendered by Keble's sermon?" For Borrow was unscrupulous or careless about time and place. But it is fair and necessary to say, as Hindes Groome did, that some of the unverities in "Lavengro" and "The Romany Rye" are "probably due to forgetfulness," the rest to "love of posing, but much more to an honest desire to produce an amusing and interesting book." {93a} Borrow was a great admirer of the "Memoirs" {93b} of Vidocq," principal agent of the French police till 1827--now proprietor of the paper manufactory at St. Maude," and formerly showman, soldier, galley slave, and highwayman. Of this book the editor says: "It is not our province or intention to enter into a discussion of the veracity of Vidocq's "Memoirs": be they true or false, were they purely fiction from the first chapter to the last, they would, from fertility of invention, knowledge of human nature, and easy style, rank only second to the novels of Le Sage." It was certainly with books such as this in his mind that Borrow composed his autobiography, but it goes so much deeper that it is at every point a revelation, usually of actual events and emotions, always of thought and taste. In these "Memoirs" of Vidocq there is a man named Christian, or Caron, with a reputation for removing charms cast on animals, and he takes Vidocq to his Gypsy friends at Malines: "Having traversed the city, we stopped in the Faubourg de Louvain, before a wretched looking house with blackened walls, furrowed with wide crevices, and many bundles of straw as substitutes for window glasses. It was midnight, and I had time to make my observations by the moonlight, for more than half an hour elapsed before the door was opened by one of the most hideous old hags I ever saw in my life. We were then introduced to a long room where thirty persons of both sexes were indiscriminately smoking and drinking, mingling in strange and licentious positions. Under their blue loose frocks, ornamented with red embroidery, the men wore blue velvet waistcoats with silver buttons, like the Andalusian muleteers; the clothing of the women was all of one bright colour; there were some ferocious countenances amongst them, but yet they were all feasting. The monotonous sound of a drum, mingled with the howling of two dogs tied under the table, accompanied the strange songs, which I mistook for a funeral psalm. The smoke of tobacco and wood which filled this den, scarcely allowed me to perceive in the midst of the room a woman, who, adorned with a scarlet turban, was performing a wild dance with the most wanton postures."