[Illustration: Oh my goodness there is a mouse!!!] [Illustration: Oh! my good gracious! here is a great "Black Beadle" !!! !!!!] FOOTNOTE: [Footnote 5: The liquids are "l, m, n, r."--_Lindley Murray._] [Illustration: Flying Beadles] FRIGHTS! There is no fever so contagious as fright. It runs, like a bell-wire, through the house, communicating from one line of agitation to another. Frights, in a national point of view, are called "clouds on the political horizon." These clouds are very catching; if one nation in Europe has the vapours, all have--as we have lately had an opportunity of witnessing. In a civic, or we should say rather in a commercial, sense, frights are called "panics;" they are wonderfully contagious. No sooner is one house in danger, than another feels itself in peril. You walk at such a season through some vast capital, amidst lines of lofty and durable-looking mansions, and every one that begins to totter puts at least a couple in mind of tottering also. As this nods to its fall, that returns the nod instinctively. Once set the panic afoot, and each seems inclined to be foremost, rather than hindmost, in the road to ruin; let but a single firm topple down unexpectedly, and its neighbours break too, from nothing but sheer apprehension of breaking. Amidst large assemblages of people--in ball-rooms, theatres, often in churches--fright is irresistible in its progress, if once kindled. The cry of "fire," or a sound construed into the cracking of the wainscot, is enough. The strong, the weak, the bold, the nervous, the old stager and the young novice--are all reduced simultaneously to a common level: they become one mass of flying, fluttering, struggling, shrieking, _selfish_ mortality--rushing to the door, and there effectually blocking up the way; each bent on escape, and each helping to render escape impossible; trampling, stifling, crushing one another, in hideous rout and disorder, without one rational idea amongst the bewildered multitude of the reality of the danger, or one courageous impulse to face it. This wild alarm, like jealousy, makes the meat it feeds on. There is something so contradictory in it, that the presence of numbers, which should be its protection, increases its confusion. It sees its own pale, glaring, terror-stricken image in each man's face, and its diseased imagination multiplies the causes of fear, because its effects are manifold.