Caricatures and cartoons -- Great Britain; English wit and humor; English wit and humor, Pictorial
Short, however, is the duration of this scene. Retreating into another
walk, out of the way of the reeling revellers, I obtained a new view of
the yet famed and once fashionable gardens; and now, methought, their
glory was indeed departed. The place, which before was brighter than the
day, seemed the temple of Twilight. The most brilliant lamp it boasted
shed but a miserable dimness round. The genius of Vauxhall was in the
position of Damocles--only, instead of the sword it was a hammer that
was suspended over her. Nothing flourished there but the universal
enemy--Decay. The gardens seemed to hold a place between Earth and the
Eternal Shades. The words "Darkness Visible," formed the most conspicuous
object,--the letters, of an enormous size, were composed of grey and
black lamps, which the rain, descending in torrents, was fast putting
out. A transparency, representing Melancholy playing the bagpipes,
had a very striking and sombre effect; and another exhibition of a
fountain that had ceased playing, with a pair of black swans floating
in the puddle beneath, proved truly attractive to the few low-spirited
stragglers that remained. A beautiful dioramic view of the Elysian
fields, brilliantly illuminated, drew my attention; but on going to
look, I saw nothing but a few acres of gloomy waste land, with a board,
displaying the notice, "This ground to let on building leases." The farce
performed in the rotunda was "Blue Devils," at some of the scenes in
which the audience were quite broken-hearted, and the actors were called
for amidst general sobs. In the orchestra, the muffled drum was extremely
admired; the violins, reduced to one string, crumbled under the hands of
the players like touchwood, otherwise their notes would have been highly
dispiriting; the larger instruments spoke in hollow murmurs; the flutes
gave forth the parting sighs breathed into them by the asthmatic and
fading musicians. Ramo Samee, reduced to a nonentity, flung the balls up
without even an effort to catch them, and the sword, like Macbeth's amen,
"stuck in his throat." One "swallow" would have been a summer to him. The
waiters went about with umbrellas and lanterns to collect orders. Through
their threadbare, meagre, fleecy habiliments--coats of Scotch mist, and
continuations of London fog--might be traced their thin and fleshless
forms. Something sharper than penury had worn them to the bones--the
sense that their occupation was gone. They shuffled from walk to walk,
from box to box, carrying broken plates with faint impressions of various
delicacies; semi-sandwiches were on some, and on others were exhibited
narrow slices of transparent and shadowy ham. The soda-water they brought
had caught the hue of the bottles, and it trickled forth in showers of
tears. The sparkling champagne was perfectly still; the very punch was
"drowned" in the bowl, spiritless and stagnant. The chicken looked as if
it had been deposited for the last few years in the mummy-room of the
Public-domain text, read in full here on John Shaqi.
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