Caricatures and cartoons -- Great Britain; English wit and humor; English wit and humor, Pictorial
We now stood opposite Wombwell's menagerie. This was the star, the
Hyperion of the fair--it stood out bright and undaunted as in happier
times--it was the last gallant upholder of poor Smithfield's dying
splendour. We admit that there was a crowd before this show, but it was
not a Bartholomew-fair crowd. There was wanting--that pulling, that
pushing, that hallooing, that hooting, that screaming of women, that
shrieking of children, that treading on toes, that losing of shoes,
that knocking in of hats, that demolishing of bonnets, that crying
for help, that squeezing of ribs, that contest between "stream up"
and "stream down," which there always was in days of yore. Such, do
we remember as the features of a legitimate Bartholomew crowd; whilst
from the surrounding shows, there thundered the clanging of gongs, the
firing of pistols, the springing of rattles, the bellowing of speaking
trumpets, the ringing of bells, the crashing of horns, with fiddles, bag
pipes, cymbals, organs, drums, and the hoarse voices of the showmen, all
uniting and confusing into one loud, discordant, ceaseless roar--Oh!
happy, thrice happy days! To the left of the mighty Wombwell, like some
tributary satellite, was a smaller--very much smaller show--a sort of
domestic _multum in parvo_--a wee locomotive ark, as it were--into which,
on some curious principle of condensation, the ingenious proprietor
had compressed a dwarf, an Abyssinian princess with vermilion eyes and
snow-white hair, a living skeleton, a remarkably accomplished pig, and
several other monstrosities--exclusive of drum, barrel organ, household
furniture, and his family. Over the doorway of this accommodative cabin
swung an iron dish, in which flared some grease and oakum, that threw
a dull flickering light upon the portraiture above the van, which
represented, among other things, the ruby-eyed princess combing her
silver locks in the presence of company, the dwarf poised in a giant's
hand, and the Crichton of pigs engaged in a game of cards. On the steps
of this exhibition, dressed in a green velveteen shooting-coat with large
moon buttons, and a red shawl wound about his neck, stood the proprietor
himself. From top to toe he looked the showman; but the care upon his
brow--the spiritless voice in which he reminded the scant mob about him
of its being the last night of the fair, and exhorted them not to neglect
the golden opportunity of witnessing his pig, dwarf, &c., told us that
he, like ourself, was the victim of chagrin and disappointment. There had
been a time when his hoarse voice rehearsing his catalogue of prodigies
would have been drowned in the clamouring din around him, but now every
word, every sentence he uttered, was pitiably distinct.
Public-domain text, read in full here on John Shaqi.
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