George Edmund Street: Unpublished Notes and Reprinted PapersStreet, George Edmund
History
George Edmund Street: Unpublished Notes and Reprinted Papers
Street, George Edmund
Architecture, Gothic; Church architecture -- Europe; Europe -- Description and travel; Street, George Edmund, 1824-1881
the choir-aisles are shorter than the choir, and all are terminated
with apses.[34] I shall have other occasion to point out that at a
later date the architects of Ainay and of Le Puy must have been the
same. The date of the foundation of Ainay is some time in the ninth
century, and it was carried on until the end of the eleventh; but the
apse and capitals of the columns of the crossing--for the columns
themselves are Roman--cannot, I think, be later than about A.D. 940
to A.D. 1000, which latter would, I think, be the date generally
accepted for this portion of the work at Le Puy. To proceed with my
notice. The crossing is surmounted by a quasi-dome, carried up as an
octagonal lantern, much of which has been modernised in restorations,
whilst much is quite new; though the universality of the raised central
lantern in the churches of the district makes it probable that it is,
to some extent, a proper restoration.[35] The transepts are covered
with barrel-vaults, strengthened by transverse ribs of a square section
below them; the small apses in their end walls have semi-domes, and
the tribunes which cross them are groined with quadripartite vaults
without ribs. The whole of the nave is covered in the same way as the
crossing, each bay being divided from the next by bold transverse
arches, and having a quasi-dome, supported by arches across the angles
of each compartment, and all of them, in truth, being not domes, but
eight-sided pointed vaults, springing from the octagonal bases thus
contrived. There are no pendentives, properly so called, and the
construction is, I should say, that of men who desired to erect domes,
but had no knowledge whatever of the way in which they were constructed
in the East; or--to take a more favorable and, perhaps, juster view--of
men who, desiring to give a small building the greatest possible effect
of space, to roof it with stone (not knowing anything yet about flying
buttresses), and to light it from a clerestory, actually solved all
these points in a successful way. Where this kind of roof was first
attempted I am quite unable to say. Certainly the central lantern at
Ainay is so identical in character with some of those at Le Puy, that
the same workmen must have executed both; but there seems to be no
other example in the same district as Ainay, whereas at Le Puy, and
in Velay and Auvergne, everything is more or less roofed on the same
principle. The second portion of the cathedral at Le Puy consists of
the third and fourth bays of the nave, and the third portion of the
fifth and sixth bays.[36]
Public-domain text, read in full here on John Shaqi.
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