George Edmund Street: Unpublished Notes and Reprinted PapersStreet, George Edmund
History
George Edmund Street: Unpublished Notes and Reprinted Papers
Street, George Edmund
Architecture, Gothic; Church architecture -- Europe; Europe -- Description and travel; Street, George Edmund, 1824-1881
On the wall are still to be seen remains of a painting of the
Crucifixion, with many prophets and angels, S. Mary and S. John, the
sun and moon, etc. In the northern gable of this building is a fine
cylindrical chimney, built in alternate courses of dark and light
stone, and rising from a fireplace in a chamber over the hall, and of
the same date as the hall. M. Viollet-le-Duc gives a drawing of the
fireplace, which is of a not uncommon early type, the head projecting
considerably on a semicircular plan. At the north end of the _Salle
des Morts_ is a passage leading to the cloister, and along the whole
northern boundary once stood a vast range of building called the
Maîtrise.[40] Nothing now remains of this save its undercroft, which
was spanned by bold pointed arches of stone, on which the wooden floor
rested. The Maîtrise was pulled down a few years since, and, not long
before, a tower close by it, called the tower of S. Mayol, was also
destroyed. It is described as an erection of the eleventh century,
battlemented, but without machicoulis.[41] It seems to have served as
part of the fortification of the church, which was also attended to
in an alteration of the building on the west side of the cloister, in
the fourteenth century. This building contained, below, a hall on a
level with the church, which was the chapel of the Holy Relics; above
was the _Salle des États_ of Velay, with a stone barrel-roof, now
both thrown into one room. Above these again was an open space under
the roof, protected on the side towards the town by a magnificent
overhanging battlement and machicolation of the fourteenth century,
and quite open on the side towards the cloister save for the stone
piers supporting the roof. The machicoulis are some of the finest
I have ever seen, and project from the buttresses as well as from
the walls. The only access to this stage of the building seems to
have been from the roof of the cathedral. Le Puy was, in the first
instance, selected as a site for the cathedral because it afforded so
secure a refuge from attack, and in later days it seems to have been
not less necessary to provide against danger: for among other enemies
the Lords of Polignac, whose magnificent castle is visible from the
steeple of the cathedral, only some four miles distant, were the most
conspicuous as they were also the most powerful. M. Viollet-le-Duc
supposes, indeed, that the tower of the cathedral was meant in part
for defence; but I see no evidence of this, and possibly he had in his
mind the destroyed tower of S. Mayol, which, as well as the double
wall of enceinte which formerly surrounded the whole cathedral, was
no doubt a purely military construction. Fortified churches are by no
means uncommon in this part of France. At Brioude is a painting showing
the church entirely surrounded by a crenellated and turreted wall in
A.D. 1636; and Royat, near Clermont, and the abbey church of Menat,
also in Auvergne, still retains provisions for defence.
Public-domain text, read in full here on John Shaqi.
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