George Edmund Street: Unpublished Notes and Reprinted PapersStreet, George Edmund
History
George Edmund Street: Unpublished Notes and Reprinted Papers
Street, George Edmund
Architecture, Gothic; Church architecture -- Europe; Europe -- Description and travel; Street, George Edmund, 1824-1881
I may conclude what I have to say about the cathedral with a few words
about the sacristy and its contents. The building itself is not more
than a hundred and fifty years old, and most of its treasures have
been lost. The most precious relic still left is a Bible, which, by a
note at its end, is stated to have been written by S. Théodulf, Bishop
of Orléans, in the ninth century, and sent by him, in accomplishment
of a vow, to the shrine of Notre Dame du Puy. It is a quarto of
347 leaves of very fine vellum, some white with black letters, and
others purple or violet with gold or silver letters. It contains the
Old and New Testament, commentaries on the text, interpretations of
Hebrew, Greek and Latin words, and some poems by Théodulf. The pages
are interleaved with excessively delicate tissues of various colours
and patterns, which appear to be of the same age as the book, and of
Eastern manufacture. They are made of china crêpe, cotton, silk, linen,
poil-de-chèvre, and camel’s hair, of extreme fineness, and of various
colours and patterns.[48] The binding is, however, later, and of red
velvet on chamfered oak boards, with good simple metal knobs. There
are also preserved here some wax candles, tapering considerably in
their length, and stamped with a pattern made by a pointed instrument;
and, finally, there is a tippet embroidered with a tree of Jesse,
said to have been of Charlemagne’s time. It is not so old as is said,
but may possibly be (though I very much doubt it) of the twelfth or
thirteenth century, but it has been much damaged by removal from its
original ground and by partial re-working. The sacristy also contains
a reliquary of very late sixteenth-century date, of which a photograph
has been published by M. Aymard, but which was not shown to me; and an
almost endless roll of vellum illuminated with a chronological tree of
the history of the world.
How much has been lost may be guessed from some statistics which I have
come upon as to the number of silversmiths and specimens of their work
in Le Puy in the Middle Ages: in A.D. 1408 there were no less than
forty resident in the city, whilst as to their work I find in A.D. 1444
there were in the sacristy 33 _châsses_ and reliquaries, 26 chalices,
11 statues of the Blessed Virgin Mary, angels, and other figures, 10
candelabra, 9 crosses, 9 lamps, 9 mitres, crosses with their stems,
episcopal rings, crowns for the Virgin, censers, paxes, basins, plates,
books with covers adorned with chasings, pearls and precious stones,
and many like things; and in A.D. 1475 I find that Louis XI. gave 30
silver marks for a canopy over the miracle-working figure of Notre
Dame du Puy, which was made by François Gimbert, a silversmith of Le
Puy. Other churches in the neighbourhood have been more fortunate
in retaining some of their old plate, and a fair list might be made
out, if I had time, of their possession, many of which have been
photographed by M. Aymard.
Public-domain text, read in full here on John Shaqi.
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