George Edmund Street: Unpublished Notes and Reprinted PapersStreet, George Edmund
History
George Edmund Street: Unpublished Notes and Reprinted Papers
Street, George Edmund
Architecture, Gothic; Church architecture -- Europe; Europe -- Description and travel; Street, George Edmund, 1824-1881
I will now turn to the churches of Auvergne. Though numerous, they
are so much alike in their character, details, and design, that a
description of their peculiarities need not be so long as might be
supposed. These churches all lie in a group together, Clermont-Ferrand
being their geographical centre,[52] and to its north are Riom, Volvic,
Menat, Mozat, and Ennezat; to the east Chauriat; to the west Royat and
Orcival; and to the south S. Nectaire, S. Saturnin, and Issoire.
Beyond the bounds of the province, at Brioude, at Conques, at Toulouse,
and in the church of S. Étienne at Nevers, there are, among many
others, examples of precisely the same description of design and
construction.[53]
It will be well to describe the general type of these churches, and
then give a few notes as to particular examples. In plan they consist
of a nave and aisles, western narthex and steeple, central dome and
steeple, transepts with apsidal chapels on the east, and apsidal
choirs with the aisles continued round them, and four or five apsidal
chapels round the aisle. Under the choir is sometimes a crypt, in
which, in addition to the columns under the columns of the apse, are
four shafts which were intended for the support of the altar, and whose
presence certainly seems to suggest that it must have been a baldachin
and not merely an altar that they were designed to support.[54]
The naves are roofed with waggon-vaults, either with or without cross
ribs below them. The aisles have quadripartite vaults without ribs, and
the triforia above them are roofed with a continuous half barrel-vault,
which resists the thrust of the vault of the nave, and is, in truth,
a continuous flying buttress. The triforia galleries are lighted with
small windows, and this, the only light analogous to a clerestory,
being entirely inadequate, the effect of the nave roof is generally
very gloomy. The transepts are vaulted with barrel-vaults like the
nave, and in one or two instances are divided in height by a sort of
tribune level with the triforium. At Brioude, where this arrangement
is seen, there is an original thirteenth-century open fireplace in the
tribune, and M. Mérimée ingeniously suggests that the noble canons
of Brioude, for they all had the rank of Count, were in the habit of
hearing mass before a good fire; but it is fair to them to say that the
fireplace is in the east wall, and that I saw no signs of an altar near
it. The crossing under the tower is generally roofed either with an
octagonal vault or with a circular dome with an opening in the centre.
To resist the thrust of this dome on the north and south sides the
upper vaults of the triforia are continued on between the transepts
and the crossing, or else vaults of the same section are introduced
at a higher level, where the central dome is raised (as it often is)
higher than the barrel-roof of the nave. The western steeple, as well
as the centre lantern, was sometimes domed; and that at Brioude is a
Public-domain text, read in full here on John Shaqi.
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