George Edmund Street: Unpublished Notes and Reprinted PapersStreet, George Edmund
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George Edmund Street: Unpublished Notes and Reprinted Papers
Street, George Edmund
Architecture, Gothic; Church architecture -- Europe; Europe -- Description and travel; Street, George Edmund, 1824-1881
I have not yet mentioned the roofs. In those which I was able to
examine, they are covered with slabs of stone, supported from the
stone roofs without any use of timber whatever. The ridges are also of
stone, elaborately carved, and the whole construction seems to be as
imperishable in its scheme as anything I know of the kind.
The churches of the Auvergnat type present so little variety, and
were built within so short a space of time, that a description of
each of them in succession would be wearisome. Of course there are
some variations. S. Amable at Riom, for instance, has the main arches
pointed, whilst the triforium arcade is round-arched, and the vault of
the nave is also pointed instead of round. The vault of the nave of
Issoire is another example of a pointed vault. At S. Nectaire the usual
piers in the nave have given way to columns. At Brioude, the style
reached its perfection, and, indeed, I know few effects more striking
in every way than that of the aisles round the choir; the roof,
constructed as a regular barrel-vault and without any ribs, seems to be
true in principle, and to carry the eye on even more agreeably than our
ordinary Gothic vaulting of circular aisles, in which the eye is often
distracted by numbers of conflicting lines of ribs. The wall arcades
between the chapels recall the peculiar form of trefoil to which I have
before had to refer, and it is again met in the triforium of the south
side of Notre-Dame-du-Port.
The doorways appear to be of two kinds; one enriched with sculpture,
the other with inlaid work. Of the former the south door of
Notre-Dame-du-Port is a fine example. The opening is square, covered
with a pediment-like lintel, on which are sculptured in low relief the
Adoration of the Magi, the Presentation in the Temple, and the Baptism
of our Lord. Above the lintel is a round arch, under which is a figure
of our Lord, seated, with a seraph on either side. Against the wall,
below the lintel on each side of the door, are figures of Isaiah and
S. John the Baptist. In the much-altered church at Mozat,[56] near
Riom, is a door of a somewhat similar kind, and both are very like the
doorway in the north transept of Le Puy. At S. Nectaire is an example
of a door with the tympanum filled in with mosaic.
Public-domain text, read in full here on John Shaqi.
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