colour and nervousness of drawing he does not yet by any means equal the old school of painters on glass. The altar-cloth is of red velvet, embroidered in the old manner by Mrs. G. Murray. I referred, in the earlier part of this paper, to the similarity between the detail of the work at Stone and that of the earlier portions of Westminster Abbey; and before I conclude I will, as well as I can, explain the extent of this similarity. Few subjects are of more interest to me, and I suppose to all students of our ancient architecture, than this of the extent to which the work of the same artist may be traced in different buildings. I have been able, in a considerable number of cases, to prove pretty clearly what I now wish to prove about Stone and Westminster;[75] but I need hardly say that the evidence is always of a kind which it is extremely difficult to give in writing; though it is difficult to resist its force if the two works are examined one after the other, and their special peculiarities carefully noted. I will endeavour however to show the existence of something more than the ordinary likeness of all works of the same date and style, between Westminster Abbey and some portions of Stone church. I. _The Arcades round the Chapels_ of the choir at Westminster are almost identical in shape and design with that round the chancel at Stone. The proportions of their trefoil cusps are very peculiar, and as nearly as possible the same. The spandrels are filled with foliage carved exactly in the same spirit. The labels are terminated upon small corbels level with the capitals: a very unusual arrangement. The arcades rest upon a stone chamfered seat; and the arch-moulds, though not the same, are of the same character, and both of them undercut at the back. II. _Window Tracery._--The original window tracery at Westminster is the same as at Stone. The windows in the south triforium of the nave (four eastern bays) are of precisely the same character as the window discovered in the chancel at Stone. The latter are remarkable for the great width of the light (3 ft. 1 in. and 3 ft. 10 in. in the clear), and this is very characteristic of the Westminster windows. The Stone windows are remarkable also for very broad chamfered tracery-bars on the outside, corresponding with very rich mouldings on the inside. The triforium openings at Westminster are treated just in the same way on the side next the triforium, and a comparison of the triforium of the choir and north transept there with the east window of the north aisle at Stone would well illustrate the identity of character. The stone cusping in both is let into grooves in the way common in early tracery.