George Edmund Street: Unpublished Notes and Reprinted PapersStreet, George Edmund
History
George Edmund Street: Unpublished Notes and Reprinted Papers
Street, George Edmund
Architecture, Gothic; Church architecture -- Europe; Europe -- Description and travel; Street, George Edmund, 1824-1881
The whole arrangement is so curious that I have dwelt at some length
upon it, feeling that it certainly shows well how boldly a thirteenth
century architect ventured to depart from precedent when he found a new
want to be provided for, and when a before unthought of necessity had
arisen. I need hardly say, that the effect of the corbelled-out passage
is to divide the height distinctly into two parts, a division perhaps
more difficult of satisfactory treatment than any other that one can
imagine. The only variety in the tracery of the windows throughout
the body of the church is, that the centre window of each apse has a
sexfoil in the circle in its head, none of the other windows having any
cusping whatever. The moulding of the windows is very simple,--a very
bold roll and chamfer; and it is noticeable that in the tracery the
roll-moulding does not mitre with the same moulding in the arch, but is
just separated from it, an ungraceful peculiarity; the roll-moulding
of the tracery is treated as a shaft in the monial and jambs, and has
corbelled bases, the effect of which is not at all good. The buttresses
run up to the eaves, but finish abruptly without pinnacles, nor is
there any parapet. It seems probable that something must have been
intended, but possibly never done; and I confess I should shrink from
venturing now upon the introduction of either pinnacles or parapet,
and I cannot but trust that in the extensive repairs now in progress,
restorations of this conjectural kind will not be attempted. Better,
in such a case, let well alone, rather than run the risk of destroying
everything by some monstrous mistakes!
The west front is quite a thing to be considered apart from the rest of
the church, later in character, and the work, I am inclined to think,
of another man, who did not only this but all, or nearly all, the
magnificent fittings of the interior. The first man worked under the
trammels of a transitional style, endeavouring after yet not achieving
the beauties which the second man was able, in all that he did at a
more advanced day, so completely to realize.
Public-domain text, read in full here on John Shaqi.
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