George Edmund Street: Unpublished Notes and Reprinted PapersStreet, George Edmund
History
George Edmund Street: Unpublished Notes and Reprinted Papers
Street, George Edmund
Architecture, Gothic; Church architecture -- Europe; Europe -- Description and travel; Street, George Edmund, 1824-1881
The shrine has been removed for safety to the sacristy, and is
carefully guarded and fenced about with ironwork, as well it may be.
It is an exquisite work of the best period--_circa_ 1280–1300--covered
with the most delicate work in silver-gilt and adorned profusely with
jewels and enamels, and on the whole I think the finest shrine I have
ever seen.
The doors in the sacristy and elsewhere throughout the church are of
deal, and were originally covered with linen or leather, which as
far as I could make out was always coloured a bright red; it is a
most curious evidence of the extent to which colour was introduced
everywhere, and must have been most effective. It is not, however, the
only instance with which I have met; and I may mention the magnificent
north transept doors of the cathedral at Halberstadt as examples of the
same thing.
Between the north transept and the sacristy is a passage, which leads
to the external passages which I have already described as surrounding
the whole exterior of the church.
My notice of Marburg has already extended far beyond what I purposed,
though not beyond its deserts; and yet I cannot conclude without saying
a few words about the castle, which so grandly towers over the old
tower and church.
The climb up to it is really a serious business; and when I reached the
summit I had to exhibit no little adroitness in passing a sentinel who
obstinately wanted to send me back, in order that I might ascend by
some more tortuous and more legal path than I had chosen.
I went first into the chapel. This is raised to a considerable height
upon other buildings, and approached by a newel staircase. It is a very
curious and very satisfactory little building, its entire length 39
ft., and its width 18 ft. 6 in. There is a three-sided apse at either
end, and one bay only between them; this central bay has projections on
either side, which inside have the effect of very small transepts, and
externally are treated as bay windows. The windows are all geometrical,
of two lights, and very good detail. Externally, there are buttresses
at the angles of the apse, which rise out of the much thicker walls of
the rooms below the chapel, and do not go down to the ground. In the
eastern apse there are a piscina and a locker. The old pavement still
remains; it is all of red tile, arranged in large circles, with tiles
generally triangular in shape and of various sizes. Unfortunately, this
little chapel is full of galleries and pews.
Public-domain text, read in full here on John Shaqi.
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