George Edmund Street: Unpublished Notes and Reprinted PapersStreet, George Edmund
History
George Edmund Street: Unpublished Notes and Reprinted Papers
Street, George Edmund
Architecture, Gothic; Church architecture -- Europe; Europe -- Description and travel; Street, George Edmund, 1824-1881
Perhaps the most interesting building in the town is the town hall.
It is of late date, and the tracery of the windows, and the figures
which once adorned the front between the windows, are all destroyed.
The doors are original, and an old staircase with panelled sides, and
partly old metal balustrade, leads to the hall on the first floor.
This has a fine simple open roof of timber, with double collar-beams
and arched braces: this, I fear, is no longer visible, as, when I was
there, workmen were just about to begin the erection of a ceiling under
it, to make the room fit for the reception of the King of the Belgians.
In two side rooms there are very remarkable fireplaces, one of which
is well known by Haghe’s drawing. The finer of the two is adorned with
a profusion of sculptures representing the Vices and Virtues and very
striking in their treatment.
From Courtrai, a short journey by railway brought me to Tournai--a
town not, I think, so well known as it ought to be for its magnificent
cathedral--doubtless the finest, by very far, in Belgium. The nave
and transepts are Romanesque. In the former, there is that quadruple
division in height so frequent in the thirteenth century churches in
the neighbouring part of France. The transepts are very noble, and
ended with grand apses, and both they and the choir are very much
more lofty than the nave. They owe much of their grandeur to the
number of detached shafts of great size, and to the fact that the
aisle, triforium, and clerestory, are all carried round the apses.
The choir is all of the thirteenth century, and very lofty and light
in its proportions. The windows are being carefully restored; but
some bad stained glass has been recently put up. In the sacristy there
is a little old plate, of which I may mention a fine monstrance, and
two shrines; one of which, of the thirteenth century, is one of the
most exquisite I have ever seen, being adorned with a great deal of
enamelling and silversmith’s work, of most delicate character. There is
also here a fine cope-chest; but I found only one old vestment,--the
orphrey of a chasuble, with figures of saints; date about A.D. 1450;
the rest were modern, and generally very tawdry. But they possess here,
in addition to these vestments, an altar frontal, of great interest;
it is embroidered on a white silk ground, with a tree of Jesse: the
figures are well executed in high relief, and the effect of the whole,
with the stiff conventional arms of the tree encircling the figures, is
very striking. The embroidery is executed in the same way as our old
English work; but I never saw any figures worked with so much spirit or
so much character in their faces. The old fringe of red silk over gold
thread remains.
Public-domain text, read in full here on John Shaqi.
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