George Edmund Street: Unpublished Notes and Reprinted PapersStreet, George Edmund
History
George Edmund Street: Unpublished Notes and Reprinted Papers
Street, George Edmund
Architecture, Gothic; Church architecture -- Europe; Europe -- Description and travel; Street, George Edmund, 1824-1881
The aisles of the nave of Magdeburg cathedral seem also to me to be
vastly superior to any other German work of the date that I know,
whilst the western rood-screen and some of the details of the western
choir at Naumburg are also of a degree of beauty which it would be very
difficult to surpass elsewhere. The aisles of Paderborn cathedral, too,
are of a peculiar but exceedingly good character. But these are, as I
think, only exceptions which serve to prove the rule, and cannot in
any degree be taken as evidence of the same kind of growth and gradual
development that we trace with so much interest in every church and
building of the Middle Ages in England. It was an architecture of fits
and starts and conceits, not of growth, and full therefore of the
contradictions and eccentricities which such a condition necessarily
involves. And now having so far paved the way by a short statement of
what is really the great peculiarity of German architecture, I will go
on to consider and describe the several varieties of the style rather
more in detail.
And first of all, as to the ground-plan. It is a curious fact, that
each national style of pointed architecture has been distinguished by
its adherence to some peculiarity of ground-plan, as well as by other
distinctive features. In England, we all know how great was the love
for the square east end, and how strong the desire to extend the length
of the nave to a sometimes almost unreasonable extent. In France, you
know how steadily the apsidal termination was adhered to, and how
completely it was the rule to have an aisle and chapels round the apse,
making, in some of the finer French churches, an approach to absolute
perfection of effect. You know, too, how very rare the square east end
was in France, and yet how equally rare was any but a square end to the
transepts. In Italy, again, there are peculiarities. Either you have
immense halls, wide and long beyond all other examples, and borrowed,
no doubt, from the ancient basilica; or apsidal churches, in which the
aisles do not extend round the apse, and a series of apsidal chapels
are sometimes added to the east of the transepts.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account