S. Castor at Coblentz, at the end of the twelfth century, Andernach a little later, Zinzig, S. Gereon and S. Cunibert, Cologne, at the beginning of the thirteenth century, give us a fairly complete evidence of the succession of styles. After these we have Limburg and Gelnhausen, taking us on to the time at which the German complete Gothic was in other places in full perfection. In the early churches there are many features worthy of remark:-- First, the curiously early development of a kind of heavy cusping, of which Worms, Zinzig, Boppart, Andernach, and S. Gereon at Cologne, are good examples. It is essentially German, and I know nothing like it out of the Rhine district. Secondly, the treatment of the apsidal terminations is very remarkable. S. Castor at Coblentz, e.g., at the end of the twelfth century, has three stages in its apse, whereof that next the ground has a trefoiled arcade, the next is pierced with round-headed windows, whilst under the eaves is a recessed arcade and a cornice, which, in one form or other, was almost the invariable finish of these early apses. Zinzig has the same kind of apse, but it is polygonal, and each side is gabled. The eaves-cornice has a row of square sunk panels below it; and this singular feature we see reproduced very often, as at S. Gereon. The apse at Andernach is nearly identical with that at Coblentz, as also is that of Bonn. The fine cathedral at Worms has a very singular arrangement. The apse is polygonal, with the eaves-cornice and ground arcade as at Coblentz, but in the intermediate stage it has circular windows, filled in with quatrefoils and sexfoils. The apse and steeple of S. Martin, at Cologne, are extremely noble examples of these portions of the early German churches. Generally speaking, these early apsidal terminations are most remarkable for their similarity of design, but their external effect is, nevertheless, always striking. The third and chief feature of the early German churches is the treatment of their steeples. They are square or octangular in plan, without buttresses, arcaded or pierced with windows pretty regularly all over their surface, and roofed in the most varied manner. You are all, no doubt, familiar with some examples of these really striking towers, and you will feel, I think, that in their whole composition they generally look too much like turrets, and are often too uniform in their height to be perfectly satisfactory. The towers were often gabled, and had square spires rising from the points of the gables; or, as in the fine example at Soest, they had octagonal spires. This Soest example has great interest: it is the first perfect example, so far as I know, of a long series of very remarkable steeples. At Paderborn, indeed, there is no doubt that the tower had a spire; but it is destroyed, and Soest is therefore the more interesting. At a later date, this kind of steeple was reproduced at Lüneburg and Lübeck, in the steeples which adorn their churches.