I can only say a few words as to the plans of German complete Gothic, and this only to repeat what I have before said as to the extent to which they contrived to build on the same plans as in earlier days. The parallel and transverse triapsidal plans were as popular in Germany in the fourteenth and fifteenth centuries as they were in the twelfth and thirteenth, of which the little chapel in the castle at Marburg is a curious example. It is apsidal at the east and west ends, and the bay between has the window-splay so contrived as to make another apse north and south. It was in detail more than in plan that the later architects developed. But I feel that time will not allow me to go into the features of the style with more minuteness, or to do more than direct your attention to the strange eccentricity which characterizes the last phase of German Gothic, of which the design for the spire of Ulm (never carried out) is one of the most curious examples. In the short time that still remains to me, I would rather prefer to call your attention to the local peculiarities which you will meet with in different districts of this great country--a part of my subject which would, if I had time for it, be of more value perhaps to those who are going to explore German churches for themselves than any other. I have said so much about the churches of Cologne and the Rhine, that I need say no more than that they are very much a class by themselves. You have there the best specimens of early churches; whilst in Cologne cathedral, in Altenberg abbey, in the church of the Minorites at Cologne--an admirable example--in the very interesting church at Oberwesel, and in S. Werner at Bacharach, a church at Andernach, and Frankfort cathedral, you have a series of examples within a short distance of each other of the best complete German Gothic.