George Edmund Street: Unpublished Notes and Reprinted PapersStreet, George Edmund
History
George Edmund Street: Unpublished Notes and Reprinted Papers
Street, George Edmund
Architecture, Gothic; Church architecture -- Europe; Europe -- Description and travel; Street, George Edmund, 1824-1881
The main entrance is now by a beautiful porch to the north transept,
which is, unfortunately, rapidly decaying--as much of the other work
executed in Caen stone is doing everywhere. The small chapels of the
apse are roofed with most extraordinary stone roofs, of very steep
pitch, which at a little distance look like two great pinnacles, and
when seen close at hand look like nothing else that ever was built or
designed. There are very curious marks, in the exterior, of a change of
plan in some respects as the work went on, some of the choir windows
having been commenced with most elaborate mouldings outside as well as
inside, but altered either in one jamb or at their heads into a plain
double chamfer, in a most singular manner. There is some good arcading
commenced outside, and a beautiful arcade runs all round the inside
wall below the windows. The tower is just like Bretteville, but the
spire must have differed considerably from it; unhappily it was struck
by lightning some twelve years since, and there is now a poor slated
roof in place of the spire. The angle pinnacles still remain and I
think they prove that the transition from the tower to the spire must
always have been very abrupt. I think from the character of all the
detail and especially from the great love shown for the round trefoil,
that this church must have been designed by the same man who built the
eastern part of the cathedral at Bayeux. The mouldings are excessively
similar and the abaci are constantly used octangular in plan in
conjunction with square and circular.
An interesting road took us from Norrey to Bayeux, where we arrived at
3 P.M.
The general view of this cathedral is most magnificent,--owing to its
two completed and similar western spires and to the great height of
a central tower of flamboyant work capped with a pagan cupola which,
though of bad details and inconsistent with all the rest of the work,
certainly aids much in making the magnificence of the whole so great.
This central steeple is on the point of being taken down, I believe,
as the piers below are giving way; and the church is now filled
with timber shores, etc. I do not like the steeple but cannot help
regretting its loss....
There is a curious old chimney near the west front of the cathedral,
rising out of a modern house. Attached to a seminary near the
Hôtel Dieu is a good simple chapel of first-pointed date. It is a
parallelogram groined simply and lighted with windows of two lights in
each bay. The whole is wretchedly whitewashed everywhere and contrasts
strongly with the magnificent colour of the stonework throughout the
interior of the cathedral.
_June 27._
Public-domain text, read in full here on John Shaqi.
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