work at Rouen is the most excellent of all, just as it occupies the central position in point of date. I am not afraid to confess that the whole of these examples are largely Byzantine in their character; in my eyes this is a virtue, not a fault; for I believe that it is here perhaps more than anywhere else that we may succeed in developing from our forefathers’ work. There seems to be here a mine of untold wealth, the workings into which were no sooner commenced than they were abandoned: and the style seems to be one which affords special opportunity for meeting our great difficulty at the present day, as it indicates a mode of obtaining rich decorations without being dependent for effect entirely on a horde of slovenly carvers, who, without an idea in their heads, ruin all the rest of our work by their failure in its sculpture. This is a digression, but the subject was tempting: I will only say further, as to these remains at Rouen, that they have the rare advantage of not having been restored, and that they are entirely covered in all parts with work of almost uniform excellence, though, to my taste, the north-west door (the tympanum of which contains the life of S. John the Baptist) is the finest. The effigy of Archbishop Maurice is singularly elaborated: the patterns on the vestments, the details of the censers, and indeed all parts, being finished with the elaboration of a genuine Pre-Raphaelite. Before modern sculptors sneer at these twelfth century works, I wish that they would themselves attempt to produce even one block of stone, a foot square, as well wrought, and I doubt not they would profit by the lesson, novel though it might be. The western doors of the aisles are placed between large buttresses, and arches are thrown over them from buttress to buttress. Between the arches of the doors and these upper arches, a small space of plain wall remained, which has been treated in the most ingenious manner. Figures are marked in outline on the stone, which were, I think, painted, and the ground throughout is diapered with a very simple pattern sunk in the stone. Over the south-west doorway was the Last Judgement: and over the north-west, our Lord seated with angels and saints on either side. In the former our Lord is seated on a throne, between two candles: angels present souls to Him, other angels bear a soul in a sheet, and others again on the right drive the wicked into hell.