George Edmund Street: Unpublished Notes and Reprinted PapersStreet, George Edmund
History
George Edmund Street: Unpublished Notes and Reprinted Papers
Street, George Edmund
Architecture, Gothic; Church architecture -- Europe; Europe -- Description and travel; Street, George Edmund, 1824-1881
The most noticeable feature of the interior is the treatment of the
triforium of the eastern portion of the church. This is groined with a
succession of transverse barrel-vaults, the effect of which is to give
an immense addition of strength to the main walls. They spring from the
capitals of a succession of detached shafts which are placed across
the triforium, so that the perspective of its interior is singularly
picturesque. It was not very long after the erection of the church
that the western portion of the triforium was altered, a quadripartite
vault being substituted for the barrel vaulting, and wherever this has
been done, the thrust has been too great for the principal groining
shafts, which have bulged considerably, and are now held in place by
iron ties. In the apse, the bays being of necessity much wider on one
side than on the other, the ridge of the barrel-vault rises rapidly
towards the external wall: and the triforium is lighted by a succession
of immense simple circular windows. The internal elevation of one bay
of this cathedral is nearly identical with the original design of that
of Paris, though simple and (I fancy) rather earlier in date; but from
the shortness of the church and the absence of transepts (in which one
point it reminds me of the fine church of S. Leu d’Esserent) it has
both inside and outside the effect rather of a choir only than of a
complete cathedral. There are various additions to the church of later
date, which add much to its picturesque character, especially a chapel
on the south side, the chapels round the apse, and the sacristies on
the north side. The stone roof above the groining of one of these is
remarkable. The arrangement of coloured tiles on the roof is one of
the best I have seen. The pattern is rather complicated, and is formed
with dark tiles (green and black used indiscriminately) on a ground of
yellowish tiles.
The church from the apse to the western towers consists of but three
bays of sexpartite vaulting, each bay covering two bays of the main
arcades. Between the towers is one bay of quadripartite vaulting.
Public-domain text, read in full here on John Shaqi.
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