George Edmund Street: Unpublished Notes and Reprinted PapersStreet, George Edmund
History
George Edmund Street: Unpublished Notes and Reprinted Papers
Street, George Edmund
Architecture, Gothic; Church architecture -- Europe; Europe -- Description and travel; Street, George Edmund, 1824-1881
noble very early-pointed doorway, rich in chevron ornament, and this
seems to have had a porch gabled north and south between the towers so
as not to interfere with the window in the west wall of the nave. The
south-west tower and spire, though small in proportion to the height
of the nave, are of elaborate character. All the arches are round, and
there are two nearly similar stages for the belfry. The spire has large
rolls at the angles and in the centre of each face (an arrangement seen
at Chartres and Vendôme) but in addition it has the peculiarity of
detached shafts, standing clear of the rolls on the spire and held by
occasional bands. They have a certain kind of quaint picturesqueness
of effect, but were never, I think, imitated elsewhere. The whole face
of the spire is notched over with lines of chevroned scalloping. On
entering the church the first thing that is remarked is the excessive
width of the nave (thirty-six feet between the columns) compared to
that of the aisles (about twelve feet). The result is, that a grand
unbroken area is obtained for worshippers, whilst the aisles appear
to be simply passage-ways. The general proportion of the building is,
however, rather too low in proportion for its great width. Almost all
the arches throughout the church are, more or less, stilted, and with
the best possible effect. When the eye is thoroughly accustomed to this
it is curious to notice how unsatisfactory any other form of arch is.
The fact is, that a curve which commences immediately from its marked
point of support is never so fine as where it rises even a few inches
perpendicularly before it springs. The capitals throughout the church
are finely carved, and those round the apse are of immense size, and
crown circular shafts of very delicate proportions, much as at Mantes,
and (though on a heavier scale) at Notre Dame, Paris. The construction
of this part is of the very boldest character, and exemplifies in a
very striking manner the extreme skill in construction to which the
architects of the day had arrived.
Great effect is produced by the profusion of chevron and nail-head
ornament used on the exterior of the church; a double course of the
former of the very simplest kind forms the cornice under all the eaves,
and is also used down the edges of all the flying buttresses. On the
north side of the nave there still remains a portion of the cloisters,
of fine early character; two sides only remain, with a room of the same
date with groining resting on detached shafts. Some remains of gateways
in the old walls of the abbey are worth noticing, as also the old walls
which surround the church, built for the most part against the rock on
which it stands, with here and there very small openings, which make
them look as though they were intended for defence. Whilst I was in the
church some boys came to toll the passing-bell. They said that they
always did so on Fridays, at three o’clock.[17]
Public-domain text, read in full here on John Shaqi.
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