George Eliot; a Critical Study of Her Life, Writings and PhilosophyCooke, George Willis
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George Eliot; a Critical Study of Her Life, Writings and Philosophy
Cooke, George Willis
Eliot, George, 1819-1880; Novelists, English -- 19th century -- Biography
Buried ere death in silent helplessness.
Then while the soul its way with sound can cleave,
And while the arm is strong to strike and heave,
Let soul and arm give shape that will abide
And rule above our graves, and power divide
With that great god of day, whose rays must bend
As we shall make the moving shadows tend.
Come, let us fashion acts that are to be,
When we shall lie in darkness silently,
As our young brother doth, whom yet we see
Fallen and slain, but reigning in our will
By that one image of him pale and still."
Death brings discord and sorrow into a world once happy and unaspiring, but
it also brings a spiritual eagerness and a divine craving. Jabal began to
tame the animals and to cultivate the soil, Tubal-Cain began to use fire
and to work metals, while Jubal discovered song and invented musical
instruments. Out of the longing and inner unrest which death brought, came
the great gift of music. It had power to
Exult and cry, and search the inmost deep
Where the dark sources of new passion sleep.
Jubal passes to other lands to teach them the gift of song, but at last
returns an old man to share in the affections of his people. He finds them
celebrating with great pomp the invention of music, but they will not
accept him as the Jubal they did honor to and believed dead. Then the voice
of his own past instructs him that he should not expect any praises or
glory in his own person; it is enough to live in the joy of a world
uplifted by music. Thus instructed, his broken life succumbs.
Quitting mortality, a quenched sun-wave,
The All-creating Presence for his grave.
In this poem George Eliot regards death as a means of drawing men into a
deeper and truer sympathy with each other. The same thought is more fully
presented when she exultingly sings,--
O may I join the choir invisible
Of those immortal dead who live again
In minds made better by their presence: live
In pulses stirred to generosity,
In deeds of daring rectitude, in scorn
For miserable aims that end with self.
In thoughts sublime that pierce the night like stars,
And with their mild persistence urge man's search
To vaster issues.
Death teaches us to forget self, to live for others, to pour out unstinted
sympathy and affection for those whose lives are short and difficult. It is
the same thought as that given in reply to Young; mortal sorrows and pains
should move us as hopes of immortality cannot. There accompanies this idea
the larger one, that our future life is to be found in the better life we
make for those who come after us. George Eliot believed with Comte, that we
are to live again in minds made better by what we have done and been, that
an influence goes out from every helpful and good life which makes the
lives of those who come after us fairer and grander.
Public-domain text, read in full here on John Shaqi.
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