George Eliot; a Critical Study of Her Life, Writings and PhilosophyCooke, George Willis
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George Eliot; a Critical Study of Her Life, Writings and Philosophy
Cooke, George Willis
Eliot, George, 1819-1880; Novelists, English -- 19th century -- Biography
As to my aunt's conversation, it is a fact that the only two things of any
interest I remember in our lonely sittings and walks are her telling me one
sunny afternoon how she had, with another pious woman, visited an unhappy
girl in prison, stayed with her all night, and gone with her to execution,
and one or two accounts of supposed miracles in which she believed--among
the rest, _the face with the crown of thorns seen in the glass_. In her
account of the prison scenes. I remember no word she uttered--I only
remember her tone and manner, and the deep feeling I had under the recital.
Of the girl she knew nothing, I believe--or told me nothing--but that she
was a common coarse girl, convicted of child-murder. The incident lay in my
mind for years on years as a dead germ, apparently, till time had made my
mind a nisus in which it could fructify; it then turned out to be the germ
of _Adam Bede_.
I saw my aunt twice after this. Once I spent a day and a night with my
father in the Wirksworth cottage, sleeping with my aunt, I remember. Our
interview was less interesting than in the former time: I think I was less
simply devoted to religious ideas. And once again she came with my uncle to
see me--when father and I were living at Foleshill; _then_ there was some
pain, for I had given up the form of Christian belief, and was in a crude
state of free-thinking. She stayed about three or four days, I think. This
is all I remember distinctly, as matter I could write down, of my dear
aunt, whom I really loved. You see how she suggested Dinah; but it is not
possible you should see as I do how her entire individuality differed from
Dinah's. How curious it seems to me that people should think Dinah's
sermon, prayers and speeches were _copied_--when they were written with hot
tears as they surged up in my own mind!
As to my indebtedness to facts of _locale_, and personal history of a small
kind connected with Staffordshire and Derbyshire--you may imagine of what
kind that is when I tell you that I never remained in either of those
counties more than a few days together, and of only two such visits have I
more than a shadowy, interrupted recollection. The details which I knew as
facts and have made use of for my picture were gathered from such imperfect
allusion and narrative as I heard from my father in his occasional talk
about old times.
As to my aunt's children or grandchildren saying, if they _did_ say, that
Dinah is a good portrait of my aunt--that is simply the vague, easily
satisfied notion imperfectly instructed people always have of portraits. It
is not surprising that simple men and women without pretension to
enlightened discrimination should think a generic resemblance constitutes a
portrait, when we see the great public so accustomed to be delighted with
_mis_-representations of life and character, which they accept as
representations, that they are scandalized when art makes a nearer approach
to the truth.
Public-domain text, read in full here on John Shaqi.
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