The meeting of these two men naturally led Clemence to a comparison
which could but be to Christian’s advantage. Gerfaut had nothing
remarkable about him save an intelligent, intensely clever air; there
was a thoughtful look in his eyes and an archness in his smile, but his
irregular features showed no mark of beauty; his face wore an habitually
tired expression, peculiar to those people who have lived a great deal
in a short time, and it made him look older than Christian, although he
was really several years younger. The latter, on the contrary, owed to
his strong constitution, fortified by country life, an appearance of
blooming youth that enhanced his noble regularity of features.
In a word, Christian was handsomer than his rival, and Clemence
exaggerated her husband’s superiority over her lover. Not being able to
find the latter awkward or insignificant, she tried to persuade herself
that he was ugly. She then reviewed in her mind all M. de Bergenheim’s
good qualities, his attachment and kindness to her, his loyal, generous
ways; she recalled the striking instance that Marillac had related of
his bravery, a quality without which there is no hope of success for a
man in the eyes of any woman. She did all in her power to inflame her
imagination and to see in her husband a hero worthy of inspiring the
most fervent love. When she had exhausted her efforts toward such
enthusiasm and admiration, she turned round, in despair, and, burying
her head in her pillow, she sobbed:
“I cannot, I cannot love him!”
She wept bitterly for a long while. As she recalled her own severity in
the past regarding women whose conduct had caused scandal, she employed
in her turn the harshness of her judgment in examining her own actions.
She felt herself more guilty than all the others, for her weakness
appeared less excusable to her. She felt that she was unworthy and
contemptible, and wished to die that she might escape the shame that
made her blush scarlet, and the remorse that tortured her soul.
Public-domain text, read in full here on John Shaqi.
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