The artist arose at once as he saw the young girl make a movement as if
to go; he put his arm about her waist and half forced her to sit beside
him.
“The grass is damp and I shall stain my dress,” said she, as a last
resistance.
A handkerchief was at once spread upon the ground, in lieu of a carpet,
by the lover, who had suddenly become very polite again.
“Now, my dear Reine,” continued he, “will you tell me why you come
so late? Do you know that for an hour I have been tearing my hair in
despair?”
“Perhaps the dust will make it grow again,” she replied, with a
malicious glance at Marillac, whose head was powdered with brown dust as
if a tobacco-box had been emptied upon it.
“Naughty girl!” he exclaimed, laughing, although his eyes looked as
if he were crying; and, acting upon the principle of retaliation less
odious in love than in war, he tried to snatch a kiss to punish her.
“Stop that, Monsieur Marillac! you know very well what you promised me.”
“To love you forever, you entrancing creature,” said he, in the voice of
a crocodile that sighs to attract his prey.
Reine pursed up her lips and assumed important airs, but, in order to
obey the feminine instinct which prescribes changing the subject of
conversation after too direct an avowal, with the firm intention of
returning to it later through another channel, she said:
“What were you doing just as I arrived? You were so busy you did not
hear me coming. You were so droll; you waved your arms in the air and
struck your forehead as you talked.”
“I was thinking of you.”
“But it was not necessary, in order to do that, to strike your head with
your fist. It must have hurt you.”
“Adorable woman!” exclaimed the artist, in a passionate tone.
“Mon Dieu! how you frighten me. If I had known I would not have come
here at all. I must go away directly.”
“Leave me already, queen of my heart! No! do not expect to do that; I
would sooner lose my life--”
“Will you stop! what if some one should hear you? they might be
passing,” said Reine, gazing anxiously about her. “If you knew how
frightened I was in coming! I told mamma that I was going to the mill
to see my uncle; but that horrid old Lambernier met me just as I entered
the woods. What shall I do if he tells that he saw me? This is not
the road to the mill. It is to be hoped that he has not followed me! I
should be in a pretty plight!”
“You can say that you came to gather berries or nuts, or to hear the
nightingale sing; Mother Gobillot will not think anything of it. Who is
this Lambernier?”
“You know--the carpenter. You saw him at our house the other day.”
“Ah! ah!” said Marillac, with interest, “the one who was turned away
from the chateau?”
“Yes, and they did well to do it, too; he is a downright bad man.”
“He is the one who told you something about Madame de Bergenheim. Tell
me the story. Your mother interrupted us yesterday just as you began
telling it to me.--What was it that he said?”
Public-domain text, read in full here on John Shaqi.
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