The long rambling house of the dikemaster was visible from afar because
of the high mound on which it stood, and especially because of the
highest tree in the village, a mighty ash. The grandfather of the
present dikemaster, the first of the line, had in his youth planted an
ash to the east of the house door; but the first two had died, and so
he had planted a third on his wedding morning, which was still
murmuring as if of old times in the increasing wind with its crown of
foliage that was growing mightier and mightier.
When, after a while, tall, lank Hauke climbed up the hill which was
planted on both sides with beets and cabbage, he saw the daughter of
the owner standing beside the low house door. One of her somewhat thin
arms was hanging down languidly, the other seemed to be grasping behind
her back at one of the iron rings which were fastened to the wall on
either side of the door, so that anyone who rode to the house could use
them to hitch his horse. From there the young girl seemed to be gazing
over the dike at the sea, where on this calm evening the sun was just
sinking into the water and at the same time gilding the dark-skinned
maiden with its last golden glow.
Hauke climbed up the hill a little more slowly, and thought to himself:
"She doesn't look so dull this way!" Then he was at the top. "Good
evening to you!" he said, stepping up to her. "What are you looking at
with your big eyes, Miss Elke?"
"I'm looking," she replied, "at something that goes on here every
night, but can't be seen here every night." She let the ring drop from
her hand, so that it fell against the wall with a clang. "What do you
want, Hauke Haien?" she asked.
"Something that I hope you don't mind," he said. "Your father has just
discharged his hired man; so I thought I would take a job with you."
She glanced at him, up and down: "You are still rather lanky, Hauke!"
she said, "but two steady eyes serve us better than two steady arms!"
At the same time she looked at him almost sombrely, but Hauke bravely
withstood her gaze. "Come on, then," she continued. "The master is in
his room; let's go inside."
The next day Tede Haien stepped with his son into the spacious room of
the dikemaster. The walls were covered with glazed tiles on which the
visitor could enjoy here a ship with sails unfurled or an angler on the
shore, there a cow that lay chewing in front of a peasant's house. This
durable wall-covering was interrupted by an alcove-bed with doors now
closed, and a cupboard which showed all kinds of china and silver
dishes through glass doors. Beside the door to the "best room" a Dutch
clock was set into the wall behind a pane of glass.
Public-domain text, read in full here on John Shaqi.
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