After a somewhat irregular education, Theodor was apprenticed to an
apothecary in Berlin when he was sixteen, and after four years of
preparation he found himself qualified to practice a profession in
which he had no interest. Before he was twenty he had published verses
and a story, and he spent his leisure in literary clubs. In 1850 he
received a position in the press department of the Prussian Ministry of
the Interior, on the strength of which he married. Two years later he
was sent to London to write reports on conditions in England for
government journals, and this was only the first of a series of visits
to Britain. He acted as war correspondent in the campaigns of 1864,
1866, and 1870, being taken prisoner by the French when visiting the
home of Joan of Arc. His interest in the picturesque history of
Scotland seems to have led him to the study of the past of his own
region, the Mark of Brandenburg, his thorough knowledge of which
appears both in his descriptive works and in his fiction. The greater
part of his life was spent in Berlin, where he died on September 20,
1898, honored as one of the leading men of letters of his time.
Fontane's earlier literary efforts were mainly in verse, the best of
which is ballad poetry, largely of Scottish inspiration. His middle
period was chiefly devoted to descriptions of travel. It was not till
he was nearly sixty that he really found himself and turned to the
writing of the novels on which his fame chiefly depends. He began in
1878 with "Before the Storm," a long romance after the manner of Sir
Walter Scott, and for the next twenty years he drew on his accumulated
knowledge of life and produced with great fertility. His most
successful field was the Berlin life with which fifty years in the
Prussian capital had made him intimately familiar, and his chief works
are "L'Adultera" (1882), "Petoefi" (1884), "Cecile" (1887), "Stine"
(1890), "Frau Jenny Treibel" (1892), "The Poggenpuhls" (1896), and, in
the year of his death, "Stechlin."
Public-domain text, read in full here on John Shaqi.
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