It was the next week after the events narrated, and the chestnut trees were already in bloom. They were blossoming also in Bellevue Street. Baron Botho lived here in a ground floor apartment that extended through from a front balcony to one that opened on a garden: there was a living-room, a dining-room, and a bedroom, which were distinguished by a tasteful furnishing decidedly beyond the means of their owner. In the dining-room there were two pictures of still life by Hertel and between these a bear hunt, an admirable copy from Rubens, while in the living-room the "show piece" was a storm at sea by Andreas Achenbach, surrounded by several smaller pictures by the same artist. The storm picture had come into Baron Botho's possession by chance at a lottery, and by means of this beautiful and valuable work he had gained the reputation of a connoisseur and especially of an admirer of Achenbach. He joked freely about this and used to declare "that his luck at the lottery cost him quite dear, because it continually led him to make new purchases, adding that it was perhaps the same with all good fortune." Before the sofa, the plush of which was covered with a Persian rug, the coffee apparatus stood on a malachite table, while on the sofa itself all kinds of political journals were lying about, and amongst these some whose presence in this place seemed rather peculiar, and could only be explained by Baron Botho's favorite phrase "fiddlesticks before politics." Stories which bore the stamp of imagination, so-called "pearls," amused him the most. A canary bird, whose cage always stood open at breakfast time, was flying as usual to light on the hand or shoulder of his too-indulgent master, who, instead of being impatient, put his paper aside every time to stroke his little favorite. But if he omitted the caress, the little creature would cling to the reader's neck and beard and chirp long and persistently until he had his way. "All favorites are alike," said Baron Rienaecker, "they expect humility and obedience." Just now the door bell rang and the servant came in to bring the letters. One, a gray, square envelope, was open and bore a three pfennig stamp. "Hamburg lottery tickets or new cigars," said Rienaecker, and threw envelope and contents aside without further consideration. "But this one ... Ah, from Lena. I will save this for the last, unless this third sealed one contends for the honor. The Osten crest. Then it is from Uncle Kurt Anton: the Berlin postmark means that he is already here. What can he want now? Ten to one, he wants me to breakfast with him or to buy a saddle or to escort him to Renz, or perhaps to Kroll also; most likely I am to do the one and not omit the other." And he took a knife from the window-sill and cut open the envelope, on which he had recognized also Uncle Osten's handwriting, and took out the letter. The letter read: "Hotel Brandenburg, Number 15 "My dear Botho: