And the room was well worth her attention. The timbers and the
plastered walls had been allowed to remain since former times, and the
whitewashed ceiling was so low that one could reach it with one's hand.
But whatever could be improved had been improved. Instead of the small
panes which one still saw on the ground floor, a large window reaching
nearly down to the floor had been set in, which afforded, as the host
had said, a beautiful view of the scenery, both woods and water. But
the large window was not all that had been accomplished here in the way
of modern comfort. A few good pictures, very likely bought at some
auction, hung on the old irregular plastered walls, and where the
projecting window gable joined the sloping roof of the room itself
stood a pair of handsome toilet tables facing each other. Everything
showed that the character of the fisherman's and boatman's tavern had
been carefully kept, while at the same time the place had been turned
into a pleasing hotel for the rich sportsmen of the yacht club.
Lena was much pleased with all that she saw, and began to examine the
pictures that hung in broad frames to the right and left of the bed.
They were engravings, the subjects of which interested her keenly, and
so she wanted to read the inscriptions under each. One was inscribed
"Washington Crossing the Delaware" and the other "The Last Hour at
Trafalgar." But she could get no further than merely to decipher the
syllables, and although it was a very small matter, it gave her a pang,
because it emphasised the chasm that divided her from Botho. He was,
indeed, in the habit of making fun of learning and education, but she
was clever enough to know what to think of such jesting.
Close to the entrance door, above a rococo table, on which stood some
red glasses and a water carafe, hung a gay colored lithograph with an
inscription in three languages: "_Si jeunesse savait_"--a picture which
Lena remembered having seen at the Doerrs'. Doerr loved such things. When
she saw it here again, she shivered and felt distressed. Her fine
sensibility was hurt by the sensual quality of the picture as if it
were a distortion of her own feeling, and so, in order to shake off the
impression, the went to the window and opened both sashes to let in the
night air. Oh. how refreshing it was! She seated herself on the
windowsill, which was only a couple of hands' breadth from the floor,
threw her left arm around the middle bar and listened to hear what was
happening on the veranda. But she heard nothing. Deep stillness
reigned, except that in the old elm there was a stirring and rustling,
and any discomfort that might have lingered in her mind disappeared at
once, as she gazed with ever-growing delight on the picture spread out
before her. The water flowed gently, wood and meadow lay in the dim
evening light, and the thin crescent of the new moon cast its light on
the stream and showed the tremulous motion of the rippling waves.
Public-domain text, read in full here on John Shaqi.
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