Agricola, Gnaeus Julius, 40-93; Germanic peoples -- Early works to 1800; Statesmen -- Rome -- Biography -- Early works to 1800
How tenderly he dwells on the wisdom and goodness of his departed father;
how artlessly he intersperses his own sympathies and regrets, even as if
he were breathing out his sorrows amid a circle of sympathizing friends!
At the same time, how instructive are his reflections, how noble his
sentiments, and how weighty his words, as if he were pronouncing an
eulogium in the hearing of the world and of posterity! The sad experience
of the writer in the very troubles through which he follows Agricola,
conspires with the affectionate remembrance of his own loss in the death
of such a father, to give a tinge of melancholy to the whole biography;
and we should not know where to look for the composition, in which so
perfect a work of art is animated by so warm a heart. In both these
respects, it is decidedly superior to the Germania. It is marked by the
same depth of thought and conciseness in diction, but it is a higher
effort of the writer, while, at the same time, it gives us more insight
into the character of the man. It has less of satire and more of
sentiment. Or if it is not richer in refined sentiments and beautiful
reflections, they are interwoven with the narrative in a manner more easy
and natural. The sentiments seem to be only the language of Agricola's
virtuous heart, and the reflections, we feel, could not fail to occur to
such a mind in the contemplation of such a character. There is also more
ease and flow in the language; for concise as it still is and studied as
it may appear, it seems to be the very style which is best suited to the
subject and most natural to the author. In another writer we might call
it labored and ambitious. But we cannot feel that it cost Tacitus very
much effort. Still less can we charge him with an attempt at display. In
short, an air of confidence in the dignity of the subject, and in the
powers of the author, pervades the entire structure of this fine specimen
of biography. And the reader will not deem that confidence ill-grounded.
He cannot fail to regard this, as among the noblest, if not the very
noblest monument ever reared to the memory of any individual.
Public-domain text, read in full here on John Shaqi.
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