Germany came into the modern world as a dreamer, as a maker of melodies, as a singer of songs, as a sort of post-graduate student in philosophy and in theoretical, and later applied science. She introduced us to classical philology, to modern methods of historical research, to the comparative study of ethnic religions, to daring and scholarly exegesis, to the study of the science of language. She discovered Shakespeare to the English; Eduard Maetzner and Eduard Mueller, and German scholars in the study of phonetics, have written our English grammars and etymological dictionaries for us, and helped to lay the foundations for knowledge of our own language. Spinoza, Kant, Hegel, one need not mention more, attempted to pass beyond the bounds of human experience and to formulate laws for the process; Schleiermacher, maintaining that Christian faith is a condition of devout feeling, a fact of inward experience, an object which may be observed and described, had an unbounded influence in America, and many are the ethical discourses I have listened to which owed more to Schleiermacher than to their authors. Humboldt, Liebig, Bunsen, Helmholtz, Johannes Mueller, Von Baer, Virchow, Koch, Diesel, even the British and American man in the street, with little interest in such matters, knows some of these names; while Schopenhauer and Nietzsche are symbols of revolt, whose names are flung into an argument by many who only know their names, but who fondly suppose that the one stands for despair and suicide, and the other for the joy and unbridled license of the strong man. Reckoning by epochs, it was only yesterday that Germany said to the world: "No more of this!" "Hang up philosophy! Unless philosophy can make a Juliet, Displant a town, reverse a prince's doom, It helps not, it prevails not: talk no more!" Of a sudden our scholar threw off his gown and cap, and said: "I propose to play base-ball and foot-ball with you, I propose to have a hand in the material spoils of life, I propose to have a seat at the banquet and to propose toasts and to be toasted!" Faust of a sudden left his gloomy, cobwebby laboratory, flung a fine cloak over his shoulders, stuck a dandy feather in his cap, buckled on a rapier, and began roistering with the best of us. We sneered and smiled at first, let us be frank and admit it. We did not think much of this new buck. We had little fear that the professor, even if he took off his spectacles and slippers and dressing-gown, and exchanged his pipe for a cigarette, would cut much of a figure as a lover. He was new to the game, we were old hands at it, but the first thing we knew he had given the world's mistress, France, a scolding, and flung her into a corner, a cowering heap of outraged finery; and she has only been safe ever since in the role of a sort of mistress of England on board-wages.