Germany and the Germans from an American Point of ViewCollier, Price
History
Germany and the Germans from an American Point of View
Collier, Price
Germany; National characteristics, German
As all great writing, from that of Xenophon and Caesar till now, is
born of action or the love of it, or as a spiritual incitement to
action, so a people with little opportunity for political action, and
no centres of social life with a real sway or sovereignty, cannot
create or offer substance for the making of a powerful and independent
press.
There is no New York, no Paris, no London, no Vienna even, in Germany.
Berlin is the capital, but it is not a capital by political or social
evolution, but by force of circumstances. Germany has many centres
which are not only not interested in Berlin, but even antagonistic.
Munich, Hamburg, Bremen, Leipsic, Frankfort, Dresden, Breslau, and
besides these, twenty-six separate states with their capitals, their
rulers, courts, and parliaments, go to make up Germany, and perhaps
you are least of all in Germany when you are in Berlin. It is true
that we have many States, many capitals, and many governors in
America, but they have all grown from one, and not, as in Germany,
been beaten into one, and held together more from a sense of danger
from the outside than from any interest, sympathy, and liking for one
another.
With us each State, too, has a powerful representation both in the
Senate and in the House of Representatives, which keeps the interest
alive, while in Germany Prussia is overwhelmingly preponderant. In the
upper house, or Bundesrat, Prussia has 17 representatives; next comes
Bavaria with 6; and the other states with 4 or less, out of a total of
58 members. In the Reichstag, out of a total of 397 representatives,
Prussia has 236.
Political society is not all centred in Berlin, as it is in London,
Paris, or Washington, nor is social life there representative of all
Germany. Berlin's stamp of approval is not necessary to play, or
opera, or book, or picture, or statue, or personality. Indeed, Berlin
often takes a lead in such matters from other cities in Germany where
the artistic life and history are more fully developed, as, for
instance, in other days, Weimar, and now Munich, Dresden, and, in
literary matters, Leipsic. A recent example of this, though of small
consequence in itself, is the case of the opera, the "Rosen Kavalier,"
which was given repeatedly in Dresden and Leipsic, whither many Berlin
people went to hear it, before the authorities in Berlin could be
persuaded to produce it.
Public-domain text, read in full here on John Shaqi.
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