One finds in his works all the stock commonplaces, beloved of German military writers, regarding the necessity and moral value of war. He glorifies war as the foster-mother of heroic ideas, and for him the issue of battles is the judgment of God. But among all the historians who have bowed down before the Prussian Baal, he stands out from the ruck by virtue, not only of his superior talents, but also of his extraordinary aversion for England. The pride and envy of this Saxon who became a Prussian heart and soul could not endure that England should own a fifth of the habitable globe. It seemed to him that so vast an empire was out of all proportion to the real strength of the British nation—a nation of shop-keepers, which had won its territories, not by any remarkable genius or courage, but through fraud and hypocrisy, aided by the stupidity of other peoples. It is hardly surprising that he is accused in England of having undermined the friendly relations that formerly subsisted between the Anglo-Saxons and the Germans, and of having brought about that explosion of hatred which drove them apart three years after his death, at the beginning of the Boer War. VI. Side by side with Treitschke and his pupils (of whom the most conspicuous, at the moment, is Bernhardi) discerning critics are apt to place, as furnishing inspiration for the war, the German philosophers of the nineteenth century, even the poets and musicians, whose posthumous influence is still strongly felt in Germany. They attempt to prove that these representatives of the Teutonic genius are the prime agents, whether consciously or no, in the calamities from which Europe in general, and the Latin race in particular, are suffering to-day. The idolatrous worship paid to these artists by their countrymen is reckoned among the chief causes of that insensate pride and ambition which have entered so deeply into the national soul. The German people, believing that it possesses in Fichte, Hegel, Schelling, Schopenhauer, and Nietzsche the greatest thinkers, in Goethe and Schiller the greatest poets, in Beethoven, Schubert, Bach, and Wagner the greatest musicians, and convinced that it holds the foremost place in every branch of science and learning, looks upon itself as a superior race, destined to a material sway over the entire world, just as it reigns supreme at present, through the glory of its men of genius, in the intellectual sphere. “Nation of thinkers, poets, and heroes,” such is the refrain dinned into its ears by its writers and acolytes—“nation whose supremacy none can question, thou shalt fill the world with the inexhaustible treasures of thy culture!” In plain language, this means that material power must go hand in hand with spiritual rule; the strength and intelligence of Germany shall dominate all other nations, and stamp them with the ineffaceable imprint of German _Kultur_.