Women -- France -- History -- 19th century -- Fiction; Working class women -- France -- Fiction
"Say, Germinie," he began, "what would you say to this, eh? A good
room--not like this box--a real room, with a closet--at Montmartre, and
two windows, no less! Rue de l'Empereur--with a view an Englishman would
give five thousand francs to carry away with him. Something first-class,
bright, and cheerful, you know, a place where you could stay all day
without hating yourself. Because, I tell you I'm beginning to have
enough of moving about here and there just to change fleas. And that
isn't all, either: I'm tired of being cooped up in furnished lodgings,
I'm tired of being all alone. Friends don't make society. They fall on
you like flies in your glass when you're to pay, and then, there you
are! In the first place, I don't propose to drink any more, honor
bright! no more for me, you'll see! You understand I don't intend to use
myself up in this life, not if I know myself. Not by any means!
Attention! We mustn't let drink get the better of us. It seemed to me
those days as if I'd been swallowing corkscrews. And I've no desire to
knock at the monument just yet. Well, to go from the thread to the
needle, this is what I thought: I'll make the proposition to Germinie.
I'll treat myself to a little furniture. You've got what you have in
your room. You know I'm not much of a shirker, I haven't a lazy bone in
my body where work's concerned. And then we might look to not always be
working for others: we might take a lodging-house for country thieves.
If you had a little something put aside, that would help. We would join
forces in genteel fashion, and have ourselves straightened out some day
before the mayor. That's not such a bad scheme, is it, old girl, eh? And
you'll leave your old lady this time, won't you, for your dear old
Gautruche?"
Germinie, who had listened to him with her head thrust forward and her
chin resting on the palm of her hand, threw herself back with a burst of
strident laughter.
"Ha! ha! ha! You thought--and you have the face to tell me so!--you
thought I'd leave her! Mademoiselle? Did you really think so? You're a
fool, you know! Why, you might have thousands and hundred thousands, you
might be stuffed with gold, do you hear? all stuffed with it. You're
joking, aren't you? Mademoiselle? Why, don't you know? haven't I ever
told you? I would like to see her die and these hands not be there to
close her eyes! I'd like to see it! Come now, really, did you think so?"
"Damnation! I imagined, from the way you acted with me, I thought you
cared more for me than that--that you loved me, in fact!" exclaimed the
painter, disconcerted by the terrible, stinging irony of Germinie's
words.
Public-domain text, read in full here on John Shaqi.
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